One of my biggest musical influences is definitely Ella Fitzgerald as a vocalist.
Ultimately, I'd say a lot of my vocal influences are jazz-based, people like Ella Fitzgerald, or Fred Astaire.
I always liked Nat King Cole. I always wanted to go my own way, but I always favoured other singers like Dinah Washington, Sarah Vaughn, Ella Fitzgerald - I loved Ella Fitzgerald. There are so many of them. Nina Simone was one of my favourites - Johnny Mathis.
Mary doesn't want to be treated as Mary J. Blige: she just wants to be Mary.
Growing up, I had a natural love for women like Diana Ross, Mary Wells, Ella Fitzgerald. Then I got into Dionne Warwick, Nina Simone, and Patsy Cline.
I've always sung. I was really into musical theater when I was growing up. As a kid, I listened to Ella Fitzgerald and Nina Simone, actually, on cassette tapes.
Whitney Houston and Ella Fitzgerald are my musical mothers. I learned everything I know about true R&B, pop and jazz singing from these stunning performers and unparalleled musicians.
I would love to sing with Ella Fitzgerald.
The window in which it's acceptable to listen to Ella Fitzgerald's 1960 record 'Ella Wishes You a Swinging Christmas' is short, so I keep it in heavy rotation throughout the festive season.
The album that defined my childhood was probably Ella Fitzgerald's 'Greatest Hits,' whereas my half-sister, who didn't have the same conservative upbringing, was listening to Cash Money and crunk.
I'm in love with the way that Ella Fitzgerald delivered a lyric. She would deliver a lyric with the kind of clarity that would make you wonder why it was written, and make you think about the writer. I think every writer hopes an Ella of any genre or anytime gets a hold of their work and works the song like that.
The younger Mary J. Blige, I would call her, she was very unaware, ignorant.
I actually got thrown into my Bar Mitzvah because my teacher, my Cantor, did not tell me that they would all say 'amen' at the end of each, for want of a better word, paragraph. And that threw me completely. I almost went into an Ella Fitzgerald sort of scat.
I don't know how much more what I've done is any more important than what Ella Fitzgerald did. Ella crossed those lines, as did George Benson before me. There've been lots of people who brought a pop audience to jazz because they were able to link the two and give people easy access to the world of jazz.
I was into jazz even when I was a kid. My parents would play Ella Fitzgerald, George Shearing, and Dixieland music. I loved The Monkees, The Beatles, The Eagles, and America.