A Quote by Estelle Parsons

At this point the theater America is in such a precarious place. — © Estelle Parsons
At this point the theater America is in such a precarious place.
I used to make fun of those actors who talked about the theater as their temple and their place of worship. I'm not to that degree of zealotry or idolatry of theater as this holy place. But it's a place where I get together with people who do what I do, and we understand each other in that respect.
I've been a little disappointed in directors in America. I'm really after a theater that doesn't just deal with the actual texts that I brought in. But with a director that really deals with images too, that takes the play to another level. We have to remember that theater takes place in the third dimension, and we have to take into consideration the visual aspect of the play. I think images are important for the theater. Because I do write images.
The point of songs in theater is that you're supposed to end up in a different place than where you started.
I'm a very shy person, and I never tried to do theater. I've been asked many, many times by the most incredible authors in America to do theater. And I always said no, not knowing what it is to be on the stage and to do theater.
It's a special place, and I believe in the prominence of America, and having America be and continue to be an exceptional place, and making no apologies for America being a superpower.
The world is fine. Our place on it is precarious.
The theater itself is a lie. Its deaths are mere special effects. Its tales never happened. Even the histories are distorted for dramatic effect. The theater is unnatural, a place of imagination. But the theater tells the audience something true: that the world requires judgments.
There's one place, and one place only, to see polar bears in America. You have to travel to the country's northernmost point, the very apex of Alaska's North Slope, to the permafrost shores that stretch out on either side from the Inupiat town of Kaktovik.
I think that there's a particular type of person who goes into children's theater, and then goes into theater in high school. There was something about the guys I knew in theater, we were all very vulnerable. You could tell that at some point we were made fun of.
Life has to be protected. It is precarious. I would even go so far as to say that precarious life is, in a way, a Jewish value for me.
Ours is the most precarious work, as you are in one place today, and tomorrow you are in another.
The word I think of is precarious. I am struck by how precarious it all is. How the things that hold us are only as strong as the faith we have in them.
When movies first came out, maybe they were in black and white and there wasn't any sound and people were saying the theater is still the place to be. But now movies and theater have found their own place in the world. They are each legitimate art forms.
I just realized at some point that I was hopelessly in love with the theater. I fought it for a long time because I thought theater was for, you know, insufferable actors.
A nation that does not support and encourage its theater is - if not dead - dying; just as a theater that does not capture with laughter and tears the social and historical pulse, the drama of its people, the genuine color of the spiritual and natural landscape, has no right to call itself theater; but only a place for amusement.
A lot of the time I hate the theater. You think, 'I have to climb Mount Everest, again, tonight.' Oh, the theater is a scary place to be.
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