A Quote by Esther Freud
Believe in the reader and they can connect the dots, if you succeed breathe life into the story
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When we were small, Rose and I used to play a game called connect the dots. I loved it. I loved drawing a line from dot number 1 to dot number 2 and so on. Most of all, I loved the moment when the chaotic sprinkle of dots resolved itself into a picture. That's what stories do. They connect the random dots of life into a picture. But it's all an illusion. Just try to connect the dots of life. You'll end up with a lunatic scribble.
You can't connect the dots looking forward; you can only connect them looking backwards. So you have to trust that the dots will somehow connect in your future. You have to trust in something - your gut, destiny, life, karma, whatever. This approach has never let me down, and it has made all the difference in my life.
Again, you can't connect the dots looking forward; you can only connect them looking backwards. So you have to trust that the dots will somehow connect in your future. You have to trust in something - your gut, destiny, life, karma, whatever. This approach has never let me down, and it has made all the difference in my life.
I want consumers to connect the dots, to go to any store and look at the label and connect the dots between buying cheap China products, which is better for the wallet, and all the other things we lose, like jobs.
Life is simply a connect-the dots game, and all the dots have already been identified and organized by somebody else. All you have to do is follow the blueprint, use the system, or work the program that they provide.
I suppose all moms have an idea who they hope their daughters will be. Like a connect-the-dots picture where you think you know what shape it will become. But then it's the daughter who draws the lines, and she might connect the dots you didn't intend, making a whole different picture. So I've gotta trust the dots she's given me, and she's gotta trust me to draw the picture myself.
Fans watching need to be able to connect the dots in your match and the story that you're trying to tell.
We're not keen on the idea of the story sharing its valence with the reader. But the reader's own life 'outside' the story changes the story.
We're not keen on the idea of the story sharing its valence with the reader. But the reader's own life "outside" the story changes the story.
Storytelling is ultimately a creative act of pattern recognition. Through characters, plot and setting, a writer creates places where previously invisible truths become visible. Or the storyteller posits a series of dots that the reader can connect.
It is just human nature to take time to connect the dots, I know that. But I also know that there can be a day of reckoning when you wish you had connected the dots more quickly.
Many musicians are fabulously skilled at playing the black dots on the printed page, but mystified by how the dots got there in the first place and apprehensive of playing without dots. Music theory does not help here; it teaches rules of the grammar, but not what to say. When people ask me how to improvise, only a little of what I can say is about music. The real story is about spontaneous expression, and it is therefore a spiritual and a psychological story rather than a story about the technique of one art form or another.
I routinely interview college students, mostly from top schools, and I notice that their brains are like old maps, with lots of blank spaces for the uncharted terrain. It's not that they lack for motivation or IQ. It's that they can't connect the dots when they don't know where the dots are in the first place.
We can only connect the dots we collect, which makes everything you write about you... your connections are the thread that you weave into the cloth that becomes the story that only you can tell.
It's a universal story, it's an immigrant story, and it's a love story. In the United States, if you believe in yourself and you're determined and persevere, you're going to succeed.
What makes a story is how well it manages to connect with the reader, the visceral effect it has.
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