A Quote by Ethan Canin

There are some advantages to being a writer: you do generally get better as you get older. I think I understand things better. When I was a kid, I was kind of guessing at the emotion. Now I'm interested in writing more difficult books, books that confront the facts of life, of death and dying and failure - the majority of life. You write outwardly imaginative books when you're younger. When you're older you apply imagination to internal experience.
The great thing about living until you get a bit older if you are a writer, and especially a poet, is that you have more life to reflect on. And I think that if I am better now - and I think that I am probably better than I was - is because that I simply have more to think about, more to get under control, more to understand.
I read books when I was a kid, lots of books. Books always seemed like magic to me. They took you to the most amazing places. When I got older, I realized that I couldn't find books that took me to all of the places I wanted to go. To go to those places, I had to write some books myself.
Why do people write books that say it's better to be older than to be younger? It's not better. Even if you have all your marbles, you're constantly reaching for the name of the person you met the day before yesterday.
Fahrenheit 451 is one of those books that is about how amazing books are and how amazing the people who write books are. Writers love writing books like this, and for some reason, we let them get away with it.
Twenty years ago, when I started writing, I didn't define myself as an African-American writer. And then you write books and you're focused on what's inside your books, and that kind of term is generally used on the outside, by the critical establishment.
At difficult times of my life, books have been an incredible comfort. When I was 12, I changed schools and my parents split up. It was then that I became addicted to reading. A great writer can attach themselves to your mind and heart, and you feel you understand the world better. As long as you have the capacity to read, you needn't be alone any more. I remember thinking as a child, "If I could give one person the comfort I keep getting from books, then I want to write."
I've always been drawn to and fascinated by physical and psychological change. If I'm able to make pictures of children that are so real, as you follow the children over the years in any given book, and in subsequent books they get older and older and grow up, perhaps there might be something cautionary in that visual example. Every child is going to grow up. You can see it happen in the books: They get older and older and belong to themselves to a greater and greater extent.
Blogging has mostly been an opportunity to react more immediately to experiences to try out ideas that I may end up using in the print media or in some other place. When I write books, it's a way for me to bring readers into the experience of writing the book, all through the process of writing the books that I write. I talk about what I'm up to in the blog. I let people know what I am doing. To me, it's just part of putting my professional life up in a way that people who are interested in it can access; and learning things from them as well.
I wish I could go back and rewrite my first book, You Bright and Risen Angels; I could do a better job. But in the meantime, nobody knows as much about my books as I do. Nobody has the right but me to say which words go into my books or get deleted or edited. When I'm dying, I'll smile, knowing I stood up for my books. If I die with more money, that wouldn't bring a smile to my face. Unless I got better drugs or more delicious-looking nurses.
But we are not interested in death at all: rather, we escape the facts, we are continuously escaping the facts. Death is there, and every moment we are dying. Death is not something far away, it is here and now: we are dying. But while we are dying we go on being concerned about life. This concern with life, this over concern with life, is just an escape, just a fear. Death is there, deep inside - growing.
To see what books were available for my older students, I made many trips to the library. If a book looked interesting, I checked it out. I once went home with 30 books! It was then that I realized that kids' novels had the shape of real books, and I began to get ideas for young adult novels and juvenile books.
The people who review my books, generally, are kind of youngish culture writers who aspire to write books. When someone writes a book review, they obviously already self-identify as a writer. I mean, they are. They're writers, they're critics, and they're writing about a book about a writer who's a critic. So I think it's really hard for people to distance themselves from what they're criticizing.
Years and years ago, I said I did not want to write academic books. I want to write books that are in the language of the common person so that Joe, who didn't even go to college, can sit down and read my book and get it and apply it to his life.
Other people are talking about writing books about my life, or about some of the things I've done. I find it strange, but I also feel it's my life and my story, and I guess I better be the one to get it on paper the way it actually happened.
I'm a better writer now because I've worked very hard at getting better. My long-range goal will always be to write better books.
The odd thing about being a writer is you do tend to lose yourself in your books. Sometimes it seems like real life is flickering by and you're hardly a part of it. You remember the events in your books better than you remember the events that actually took place when you were writing them.
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