A Quote by Ethan Hawke
I got to work with Robert DeNiro once and it was a strange experience. Gwyneth Paltrow and I were doing Great Expectations movie together and we were complaining about what a mediocre film experience it was. DeNiro showed up on set and all of a sudden the director got better, the director of photography got better - everybody got more interested and excited. DeNiro isn't waiting for other people to create the environment that he wants, he brings it along with him.
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When Henry Hill [in Goodfellas] got arrested for the first time and Robert DeNiro met him at the courthouse and Henry Hill was really upset, 'cause he thought Robert DeNiro would be really mad at him. And DeNiro comes up to him and he gives him a $100 and he goes, "You got pinched. We all get pinched, but you did it right, you didn't say nothing."
You can't follow another actor's performance. You can't be Robert DeNiro, because you're not Robert DeNiro, and, you know, he is.
I remember staying up all night waiting to see the first screening of Cape Fear because you knew that every time Robert DeNiro had a performance it was going to be revelatory. Then DeNiro hit this place, he seemed like he was done with the emotional cost of impaling himself like that, and he dedicated himself to comedy.
As a musician, I don't have one thing that's "my thing." I like to create, and have a lot of outlets for it. Dustin Hoffman is one of the guys that sets a model for me, because of how good he is at being such different characters. Every time you see DeNiro, he's pretty much DeNiro - great, but DeNiro. Hoffman is different every time, depending on his character. That's how I see myself as a performer.
I wanted Raging Bull. I wanted Casino. I got Rocky and Bullwinkle. But that's OK, because I still get to tell people I've worked with Robert DeNiro.
When I was doing 'This Boy's Life' I wanted to be as old as Robert DeNiro and as experienced as him and have the same respect as he did in that movie.
No, I don't regret doing anything, and, you know, at the time, 'Monster-in-Law' was... I was so excited to get that part. I got to be in a big movie for a few months. I got work, and everybody on it was really nice, and it was a fun experience.
I was pretty nervous when I met Robert DeNiro. I kind of felt like a kid in a candy store for the first time. I couldn't wipe the grin off of my face. But Bobby DeNiro was really, really sweet and made me feel very comfortable. He's very low-key and just a superstar professional, and totally someone to be admired.
With a director it's all about the work; I'd work with a great director over - you know, I'm not the kind of actor who that doesn't go, 'I want to play this role.' It's more like, 'I want to work with this director,' regardless of what the role is because if it's a good director, you'll probably find a good role because it's a decent film. But a mediocre director will always make a mediocre movie.
I didn't worry about what DeNiro thought... I went in, looked him in the eye, and got the part. I was confident, even though I'd never done anything like it before. Now I realise it was ignorant confidence-I had no idea.
Being movie director you've got the art department, you've got the actors, you've got the camera department, you've got make-up and hair, and props. You've got your finger in all these pies, and you're making sure that everything cooks at the right temperature.
I would love to work with Anthony Hopkins; I would love to work with Meryl Streep; I would love to work with DeNiro; I would love to work with Johnny Depp; I'd love to work with Brad Pitt, Matt Damon, Gwyneth Paltrow... I think she's amazing.
A lot of people will say, "Oh, I got into acting because I wanted to explore my craft." They're a bunch of liars, unless they're Sean Penn, DeNiro or my dad. For the rest of us it was all about chicks and money.
Two actors who have different motivations and skill sets can work together and be magic. Charles Grodin and Robert DeNiro technically couldn't work more differently, and yet they made 'Midnight Run,' which is a genius comedy.
'Lovelace' was really great. I got to work with the wonderful Amanda Seyfried, Hank Azaria and Peter Sarsgaard, so it can't get no better than that, right? I had a blast, and the film is a very, very well put together movie - from the director to the writing the cast.
In December of 2001, after September 11th, my wife, Jane Rosenthal, and Robert DeNiro asked me if I would help them create the Tribeca Film Festival. The idea was to revitalize lower Manhattan. We would show films on piers, in high schools. It was all about the community. We wanted it to be accessible to everybody.
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