A Quote by Ethan Hawke

Sometimes in the life of an actor you're not getting offered any jobs that speak to you. The trouble with acting is that you're only as good as your opportunities. — © Ethan Hawke
Sometimes in the life of an actor you're not getting offered any jobs that speak to you. The trouble with acting is that you're only as good as your opportunities.
I fled my home town and did odd jobs, including things like re-designing old furniture, before I became an actor. Having said that, I don't think the story of my life is in any way remarkable. What is remarkable is how acting opportunities have come my way.
There are two main jobs in acting - the first one is to be a good actor, and the second one is to convince everyone that you're a good actor.
As an actor you're only as good as the things you're offered. And there just weren't any female directors offering me things. So when you dissect that, you realize there aren't women offering you things because they don't have the opportunities. I work to raise money for women's cancers; I use my voice for violence against women.
I've already begun to put pilot programs in place that give CUNY grads opportunities to get good tech jobs. We should expand on that so that New Yorkers are getting those jobs, because those jobs are probably one of the biggest 21st Century pathways into the middle class.
As an actor, it made me realize a really important lesson. I didn't have to put any spin on the ball as Rita [in Dexter]. All I had to do was speak. And there was such simplicity in that as an actor. With Debra, I was trying to put a square peg into a round hole, and it just didn't work, but in my mind, because I had to work so hard on it, I was, like, "Oh, this is acting!" But that's not acting.
I don't believe in trouble. Because I think that trouble is sometimes good, sometimes bad. I've been known to be called trouble, which I think is quite a compliment. But I suppose, thinking about it, that my best and worst trouble has always had something to do with a man.
If you really want to become an actor, but only providing that acting doesn't interfere with your golf game, political ambitions and your life, you don't want to become an actor. Not only is acting more than a part time job, it's more than a full time job. It's a full time obsession.
I worked at Starbucks, I was a waiter, a bartender and a valet, sometimes working 2 to 3 jobs at a time while getting a lot of 'no's' as an actor.
In fact you can begin to discover and investigate whether you are an actor or not, whether you're in my view, qualified for a life in this profession or in this endeavor by checking yourself out and acting every day, getting plays and scripts and getting together with people and divvying up the parts and acting in one way or another, or writing things.
Around the time that Girls Aloud was at its biggest, I was offered some huge acting roles in America. I decided to stay loyal to the band rather than take those other opportunities. Sometimes I wonder whether I should have just taken them.
Most of my confidence came from being with ladies, because I certainly wasn't getting any acting jobs.
I made my living as an actor, and I love acting, so I'm an actor. But that gets you in a lot of trouble in the art world.
I'm frequently surprised, sometimes bugged off, and sometimes happy, depending on the actor. It's a fact of life that just as often as not an actor can breathe life into a line as he can destroy it by misinterpretation, and I've been blessed frequently by having good actors.
Competition is healthy. Competition is life. Yet most actors refuse to acknowledge this. They don't want to compete. They want to get along. And they are therefore not first-rate actors. The good actor is the one who competes, willingly, who enjoys competing. An actor must compete, or die...Peacefulness and the avoidance of trouble won't help in his acting. It is just the opposite he must seek.
I started 'The Rainmaker' in August 1996, and I've been working consistently ever since. It's not like I had some grand plan; I keep getting offered jobs so good I can't say no.
There's a cumulative effect to getting good parts as a freelance actor, because you're only as good as your last job, and you have to keep going out and getting them. Unless you're part of the finance structure, by which I mean a bankable star, which I never was and never will be.
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