A Quote by Ethan Hawke
Alejandro Amenábar has a unique way of approaching movies and thinking about something which was new to me. It was different. I have a lot of respect for him so I just took a gamble.
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I really did Regression to work with Alejandro [Amenabar]. I found him very interesting. His movie, The Others, is one of the better scary movies of the last period of time.
It took me way beyond what I knew, into places of which I was totally scared, but as I became less frightened, I welcomed new ways of thinking and approaching something. It made me an infinitely richer person, and I think a better musician.
It was a really strange experience. It was very creative for Alejandro Amenábar. It was almost like it was the most I ever felt like I was helping someone paint. They had a very clear idea of what they wanted it to look like, sound like, be like. So, there was no operating outside the box. The only way to help him was to try to really be a part of his imagination and try to make it happen. He's a super kind and loving person. So, you wanted to help him. It just was none of my normal ways of helping a director work at all. So, it was a unique experience for me that way.
Alejandro Amenabar is a different kind of director than I lot of the directors I've asked for. He really asks you to enter his dream as opposed to, you know, a guy like Sidney Lumet or something is going to ask you to create a character almost like a documentary. He wants you to make the people really real and he's going to capture it like a documentarian.
The script [of Regression] wasn't the draw for me. It was largely Alejandro [Amenabar] and his way of talking. To hear him talking about the script was way more interesting than the script. He wrote it, and so, English is his second language. It's an interesting thing. I've had that before. I was directed by Alfonso Cuarón before, too. It's always interesting when you're being directed by somebody like that. So much of directing is about communication, and finding the right words, and what it means, and how to convey certain emotions and ideas.
I don't have a lot of experiences like this where every time I thought I had a good idea it was totally wrong. I had to give in completely and just try to make the movie Alejandro Amenábar was trying to make.
When I lived in New York, there wasn't as much TV or film around. I got asked to do a couple of indie films, just based on me being from The Smashing Pumpkins and A Perfect Circle. I did a couple of indie movies from Japan and one from Canada, and I thought it was an exciting, fun thing to do. I had a great time doing it, it was just that, in New York, there really wasn't as much. My studio in New York closed, so I moved out to L.A. and just started looking into composing as another thing to do, as a musician. I like it a lot. It's fun and it's a different way of thinking about music.
Alejandro Amenábar is a very interesting filmmaker. I had really liked The Others, which was a movie he made with Nicole Kidman a few years ago. He made a very compelling case about how much he wanted me to be in this movie. Whenever a really passionate, talented filmmaker seems to have an interest in me, I take it very seriously because I like to work.
Doing these movies I've done with WWE, it's a different pace. It's a lot of hurry up and wait, a lot of sitting around and like the day of the pay-per-view, when you're thinking about what you can do, and then you get the payoff, the reward, that night. It's just a different animal.
If you say something that is a little unsafe to say but you feel strongly and passionate about it, a lot of people can attack you and call you a bad role model just because they don't agree with your views, but in reality we're all different and we're all unique in our own way and we all have different thoughts.
I grew up on certain movies, particular movies that said something to me as a kid from Missouri, movies that showed me places I'd yet traveled, or different cultures, or explained something, or said something in a better way than I could ever say. I wanted to find the movies like that.
I think New York style is unique because there's something resourceful about it. Utilitarian. Whereas in Los Angeles, I find people make their cars a day closet. Which, I guess, is resourceful in a different way.
When you make a movie with Alejandro Amenábar, he very quickly... it was very clear you're kind of operating in his dream universe.
I grew up on particular movies that said something to me as a kid from Missouri, movies that showed me places I'd yet traveled, or different cultures, or explained something, or said something in a better way than I could ever say. I wanted to find the movies like that. It was less about a career than finding the films I wanted to see.
Just as movies, radio, and television evolved into new forms over time, the ebook will also become something more than just a way to read books. It will become its own specific and unique way of creating and sharing experience.
I've very rarely worked with somebody that had such a clear idea of what Alejandro Amenábar wanted to do and what he wanted to achieve. The guy is incredibly prepared. He was clearly making a movie for himself and his own dream. I just tried to be a part of that dream. It's a rare opportunity.
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