One of the things I've found about SpongeBob's movement style is that, in addition to being animated and sort of stretching and squeezing, he's really based on the classic silent comedians, physical comedians.
We mustn't complain too much of being comedians - it's an honorable profession. If only we could be good ones the world might gain at least a sense of style. We have failed - that's all. We are bad comedians, we aren't bad men.
You have comedians who just do jokes, and they're called comics, not comedians. You have comedians that do bits - a person that has a lot of jokes that have a beginning, a middle and an end, but it's not a real story. And you have someone that does great stories, the one that blends those things together - that person is doing comedy.
I've found, across the board, that comedians have been very respectful and kind to me. And that seems to stem from the fact that they are just respectful and kind people in general. Comedians get a bad rap for being dark and anti-social I think.
I'm a comedian because I want people to like me. That's really why all comedians are comedians.
I'm a big fan of comedians not having to apologize for anything. Nowadays it seems comedians are always apologizing for being funny.
I try to stay with it and I try to stay in contact with comedians and just keep comedians in my life 'cause comedians are their own species. If you get away from them, especially as a comedian, I think it's dangerous.
By watching the great, old comedians I picked up a few tricks about how to do physical comedy. And whenever I could learn something, I sort of added that to my repertoire.
'2 Dope Queens,' it was just a way for us to showcase female comedians, showcase comedians of color, showcase LGBT comedians, and shake up the landscape and be like, 'Hey, there is more than just what is out there.'
A lot of people who claim they're political comedians are just comedians who have opinions. But they stop being funny the minute they give their opinions.
After the comedy boom of the '80s, there was a certain formula that comedians had to do and could do in order to be successful touring comedians, and those were mainly observational comedians who had a very strict structure of what made an act, and I think it was very performance oriented.
You can't expect everyone to laugh or applaud you for doing edgy things. Sometimes you'll miss. But I think comedians are artists and there's a value in failure. It kind of works both ways between comedians and audiences. The audience has to understand that comedians are going to sometimes tell a joke that doesn't work out with dark subjects, and the comedian has to understand that sometimes they 'll fail and it's not the audience's fault for not getting it or loving it.
I think politicians and comedians have a lot in common. One is a group of approval-seeking narcissists who will say and do anything to be liked... and comedians are always talking about politics.
'Smart Funny & Black' came about because I felt that black comedians were being considered as only capable of a certain type of comedy - sort of physical, kind of silly - and I felt like we are not a monolith, and our comedy isn't, either.
When I first started, stand-up comedians writing novels was thought of as a great encroachment on the art form and people got very angsty. But comedians are storytellers so it's really a hop, skip and a jump.
When I became a standup comic, my hero, one of them, was Richard Pryor, and you know, I think that comedians, like, comedians talk about hacks, and what a hack is, is someone who does stuff that's not original.
I'm friends with a lot of comedians, but we don't talk about material. Most comedians I know don't watch a lot of other comedy.