A Quote by Ethan Slater
Making my Broadway debut was, in and of itself, just a dream come true. I've wanted to be on Broadway forever.
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I have always wanted to do Broadway, my whole life, but I never knew I'd actually make it - it's a dream; it's never been in the realm of possibility. So to be doing 'Hello Dolly!,' it's not just Broadway, but it's the most joyful, sort of classic Broadway experience with the most extraordinary company.
If you don't go to Broadway, you're a fool. On Broadway, off Broadway, above Broadway, below Broadway, go! Don't tell me there isn't something wonderful playing. If I'm home in New York at night, I'm either at a Broadway or an Off Broadway show. We're in the theater capital of the world, and if you don't get it, you're an idiot.
Cinderella is making her Broadway debut. It's an honor to step into that position and, in that way, I am creating a role because it's never been done on Broadway. I feel so honored.
I'm very proud of my New York debut. I played Oscar Wilde in 'Gross Indecency' off Broadway in about 1997. And I was very proud of my Broadway debut in 'The Iceman Cometh.'
I was crying because I was making my Broadway debut and there's nothing like that. It's the absolute mountaintop for a nerd like me that's loved it forever.
I love being on Broadway and it's awesome and a dream come true but also it's about the work and making sure you're doing what you're doing right.
My childhood dream was always to be on Broadway. I wanted to end up in TV and film. It's kind of flipped, and I'm not mad about it, but my childhood dream is Broadway and I want to end up there.
To be totally honest, I thought I would have a Broadway debut in the distant, distant future, maybe in my 60s or 70s when somebody revived one of my off-Broadway plays with a star.
I always wanted to be a Broadway star. That's actually what I wanted to be when I was a kid. I wanted to be the 19-year-old sensation on Broadway. It took a little bit longer than that.
I wanted to be a therapist if the acting didn't work. I also did a lot waitressing and odd jobs. I'd audition but couldn't get hired to save my life. I'd do Off-Broadway theatre and that was great and I was excited and thrilled, feeling like, 'Well, it's Off-Broadway, but there's still the Broadway in there.'
It took me a while to figure it out, but to have a real hit on Broadway, you have to get the respected Broadway people to like it. But then the production also has to appeal to the most middle-class people who know nothing about Broadway and who come to see it later.
I'll tell you what I think in general about people who want to make their Broadway debut that are not trained stage actors. Don't they know, Broadway ain't for sissies? It is a tough gig. You are responsible, physically, mentally, emotionally, for eight shows a week, at the top of your game. It's not easy.
Broadway is obviously a dream come true, but audiences everywhere continue to make performing a blast.
I'm making my Broadway musical debut at the age of 73 - it's a kind of interesting career arc.
For your first musical in New York, to go to Broadway and be nominated for a Tony is a dream come true.
I feel like I've been hit by a car every night, that's how I feel emotionally after The Race show. But it is a complete dream come true. For me growing up in New York all I ever wanted to do was Broadway.
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