A Quote by Ethan Suplee

Tony Kaye is great with that kind of stuff. Up until American History X, he had only done commercials. — © Ethan Suplee
Tony Kaye is great with that kind of stuff. Up until American History X, he had only done commercials.
My very first role was the character of Barbara Winslow in the movie 'Marmaduke.' Up until that point, I had only done commercials. I had never done a guest star role or a series, and yet they cast me!
Sometimes I had to room with Tony Kaye and that was awful.
The rule was, the kids in this agency had to do 15 commercials or something before they sent them out on a theatrical audition, for a television show. And I had only done two commercials.
I think anything Tony Kaye would've done would've been interesting, definitely. And worth seeing.
Larry only ever wrote one song, and he wrote that with Tony Kaye, I think it was, from Yes.
On one hand, I kind of feel like I have unlimited options right now, and obviously that's not technically true, but when you're at this place where you're just kind of dreaming up stuff, your imagination is your limit. That's where I'm at, which is great, but ultimately I think you have to make these decisions to close off some options to yourself. I think things only get done when you say, "This is the one thing I'm doing," and you kind of kill the other ones in the meantime. So I haven't done that yet, I've got to figure that out.
I had done a few commercials here and there, but I was never super lucky in commercials.
Up to our own day American history has been in a large degree the history of the colonization of the Great West. The existence of an area of free land, its continuous recession, and the advance of American settlement westward, explain American development.
Kaye: You know what the sun looks like? Janet: No, What? Kaye: Like he slit his wrists in a bathtub and the blood is all over the water. Janet: That's gross, Kaye. Kaye: And the moon is just watching. She's just watching him die. She must have driven him to it.
Walter [Hill] basically brought me into that ["Wild Bill Hickok"], and it was one of the great experiences. It was extraordinary stuff. He wrote this kind of American Shakespeare. But I played my part for four episodes, and the rest is history!
I grew up watching people and companies commercialize Black History Month. I watched old McDonald's commercials, and they'd blacken up the commercials for 28 days then go back to normal in March. It got annoying to me.
Adam Clayton Powell's entire political career has to be looked at in the entire context of the American history and the history of, and the position of the Afro- American or negro in American history. [He] has done a remarkable job in fighting for rights of black people in this country. On the other hand, he probably hasn't done as much as he could or as much as he should because he is the most independent negro politician in this country.
It was great to be around [Tony Walters] - he was like a father figure to me especially in my athletic background. That is a person I will never forget and share in all of my victories since I left there until I am done.
When I was a little kid, I kind of liked the commercials more than a lot of the stuff on TV. My favorite ones were the Miller Lite ads with all the jocks in them. "Tastes great, less filling."
American culture has a lot of great moustaches in its history. Mark Twain had a great moustache, Charlie Chaplin, Ben Turpin ... but Zappa, he's got the best moustache in American history. Got the moustache, right, and he's got that little thing on his chin, I think it's called an imperial, that is, like, the coolest thing. That's like one of the great icons of the twentieth century.
I was scared when I went to Conde Nast. I had heard horror stories about how they used you up and then spit you out and went on. But there was this great history of photography that had been done there.
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