A Quote by Ethel Barrymore

The face of Garbo is an Idea, that of Hepburn an Event. — © Ethel Barrymore
The face of Garbo is an Idea, that of Hepburn an Event.
As a language, Garbo's singularity was of the order of the concept, that of Audrey Hepburn is of the order of the substance; the face of Garbo is an Idea, that of Hepburn, an Event.
I could be the Greta Garbo of comedy, very secluded, but Garbo had a man who was beyond rich to support her.
I would switch roles with Madonna for a day. Or if Audrey Hepburn was still alive, Audrey Hepburn. I love Audrey Hepburn. She's one of my idols also.
I would switch roles with Madonna for a day. Or if Audrey Hepburn was still alive, Audrey Hepburn. I love Audrey Hepburn. She's one of my idols, also.
I am a lay historian by nature. I seek out an empirical reflection of what truth is. I sort of want dates and motivations and I want the whole story. But I've always felt, unconsciously, that all human history is that connection from person to person to person, event to event to event, and from idea to idea.
Audrey Hepburn's face was made for the camera.
Garbo still belongs to that moment in cinema when capturing the human face still plunged audiences into the deepest ecstasy, when one literally lost oneself in a human image as one would in a philtre, when the face represented a kind of absolute state of the flesh, which could be neither reached nor renounced.
After so many drive-in waitresses becoming movie stars, there has been this real drought, when along come class; somebody who actually went to school, can spell, maybe even plays the piano. She may be a wispy, thin little thing, but when you see that girl, you know you're really in the presence of something. In that league there's only ever been Garbo, and the other Hepburn, and maybe Bergman. It's a rare quality, but boy, do you know when you've found it.
I love 'Bringing Up Baby.' Anything that Katharine Hepburn's in. I'm committed to the Humphrey Bogart, Cary Grant, Katharine Hepburn era of filmmaking.
I love rom-coms. Any will do. Films such as 'How to Lose a Guy in 10 Days' or 'Funny Face' with Audrey Hepburn.
As a little girl, I got to meet Audrey Hepburn, who took my face in her hands and suddenly make me want to be an actress.
The ending shot of 'Queen Christina' with Greta Garbo is amazing. She's at the head of the ship, and she's been through so much, and the camera gets so close to her face. That really sticks out for me.
For each book, there's a back story of where the idea came from. Sometimes it's derived from a current event or topic of discussion. Often it begins with a character. And often, I have NO idea what sparked the idea. It's just there.
I love Katharine Hepburn. I love Liesl in 'The Sound of Music.' I love Julie Andrews. I love Audrey Hepburn.
There's something about sitting face-to-face with an attorney in an office that enables people to come to grips with the very idea of divorce - or to reconsider the idea. Like a number of my colleagues - not all - I offer that preliminary consultation for free.
I like the idea of growing old gracefully and full of wrinkles... like Audrey Hepburn.
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