A Quote by Ethel Merman

I can never remember being afraid of an audience. If the audience could do better, they'd be up here on stage and I'd be out there watching them. — © Ethel Merman
I can never remember being afraid of an audience. If the audience could do better, they'd be up here on stage and I'd be out there watching them.
You can only be as good as your audience. Sometimes you can be as bad as your audience, but you have to remember you can never be better than them.
I fell in love with the classical crossover genre when I was on AGT. I found out that I could use the microphone to establish a deeper intimacy with the audience. I did not portray an opera character; I was my true self. I would sing a four-to-five minute piece for the audience and then I could talk to them and say "Hi" to them! I would not need to act out scenes where my character was dying from tuberculosis or killing somebody else on stage, I could have a nice conversation with them.
I've never been afraid of being vulnerable on stage. It's a large part of life, and I think it's being dishonest to disallow an audience to see that side.
Somebody has to be on stage, and some people have to be in the audience. That's the only difference. Don't put any thought as to why you are on the stage or how you need to be 'better' than the people in the audience. You aren't better. You're simply the speaker.
You see, what is my purpose of performance artist is to stage certain difficulties and stage the fear the primordial fear of pain, of dying, all of which we have in our lives, and then stage them in front of audience and go through them and tell the audience, 'I'm your mirror; if I can do this in my life, you can do it in yours.'
You see, what is my purpose of performance artist is to stage certain difficulties and stage the fear the primordial fear of pain, of dying, all of which we have in our lives, and then stage them in front of audience and go through them and tell the audience, I'm your mirror; if I can do this in my life, you can do it in yours.
Normally classical music is set up so you have professionals on a stage and a bunch of audience - it's us versus them. You spend your entire time as an audience member looking at the back of the conductor so you're already aware of a certain kind of hierarchy when you are there: there are people who can do it, who are on stage, and you aren't on stage so you can't do it. There's also a conductor who is telling the people who are onstage exactly what to do and when to do it and so you know that person is more important than the people on stage.
I don't like to be my own audience, I find that being my own audience, being in the audience, makes me self-conscious, basically. So I tune in sometimes, with the sound off, to check it out and I back up to it. In the future I will look at it when some time has passed.
I never, ever update Mark Twain. I don't modernize it. I let the audience update the material. When I go out on stage, I'm trying to make the audience believe they're looking at this guy who died 104 years ago and listening to him and saying to themselves, "Jesus, he could be talking about today." And that's the point.
On stage, I'm always nervous, but there is so much adrenalin, too. It's strange because I have to turn my back on the audience, and my audience is the orchestra. I communicate my energy to them, and they communicate it to the audience behind me!
When a performer goes out on a stage, they may feel the audience is judging every aspect of them and their life. In fact, all that poor audience is doing is waiting to be entertained a little.
There is something about the stage that makes it so much better than being in the studio. I always connect with my audience; a concert to me is a collaboration between me and the audience, and I love it so much.
I try to make all my work as honest as possible. I want the audience to feel like they're watching two people talking-having a conversation-as opposed to watching actors fake it. I want the audience to get lost in the fact that this is so good it could be real.
I am so used to being up on stage and talking to my fans that it's strange to be on stage and be someone else. I can't look at the audience during 'In the Heights' or I will start talking to them.
When you're doing stand-up, you achieve an intimacy with the audience you can't get on TV. There's not a better feeling in the entire world then when you look out and see the audience is identifying with you.
I like my audience. I always feel when up on stage performing that I could enjoy having a cup of coffee with any one of them.
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