A Quote by Ethel Merman

I wouldn't trust any man as far as you can throw a piano. — © Ethel Merman
I wouldn't trust any man as far as you can throw a piano.
I wouldn't trust any man as far as you can throw a piano
There would be no history as we know it, no religion, no metaphysics or aesthetics as we have lived them, without an initial act of trust, of confiding, more fundamental, more axiomatic by far than any “social contract” or covenant with the postulate of the divine. This instauration of trust, this entrance of man into the city of man, is that between word and world.
You can trust a crystal ball about as far as you can throw it.
Donald Trump I wouldn't trust as far as I could throw him.
I trust Hillary Clinton about as far as I could throw Donald Trump.
He therefore is the truest friend to the liberty of his country who tries most to promote its virtue, and who, so far as his power and influence extend, will not suffer a man to be chosen into any office of power and trust who is not a wise and virtuous man.
He had as much fun in the water as any person I have known. You didn't have to throw a stick in the water to get him to go in. Of course, he would bring back a stick to you if you did throw one in. He would even have brought back a piano if you had thrown one in.
As a kid, I took piano lessons, and I didn't like it. It wasn't cool. I was into Duran Duran and rock music. I didn't have any interest in piano. I did it for three years, and because of piano, I learned percussion. I learned scales. I learned how to sing. Piano gives you all of the basics of those things.
I was already playing the clarinet and the piano. My father's a piano player. But I wanted to play in a funk band, and the clarinet wasn't fit. So you was "Hey, man, can I sit in?" They're like, "No, man." So I started fooling around with the bass.
I trust how much my ball moves. I can throw it at you or this far off the plate and have it end up on the black. That's where I kind of went to the next level. I knew what all my pitches were doing. Even in '14, I didn't have that ability.
Don King was good to me through my years as champion, but I wouldn't trust him as far as I could throw him. He's a wheeler dealer and you've got to be careful. He's a great con artist.
I believe that there is something far nobler than loyalty to any particular man. Loyalty to the truth as we perceive it - loyalty to our duty as we know it - loyalty to the ideals of our brain and heart - is, to my mind, far greater and far nobler than loyalty to the life of any particular man or God. . . .
I've always wanted to walk into a hotel, sit at a piano and play 'Piano Man.'
It is only by demanding the impossible of the piano that you can obtain from it all that is possible. For the psychologist this means that imagination and desire are ahead of the possible reality. A deaf Beethoven created for the piano sounds never heard before and thus predetermined the development of the piano for several decades to come. The composer's creative spirit imposes on the piano rules to which it gradually conforms. That is the history of the instrument's development. I don't know of any case where the reverse occurred.
I have made it a rule of my life to trust a man long after other people gave him up, but I don't see how I can ever trust any human being again.
I took one piano lesson and hated it and then didn't take any piano lessons until I was 18.
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