A Quote by Ethel Merman
Music, in the past few years... anything singable or understandable is square.
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I have been interested in Irish traditional music for the past few years.
Let's say that life is this square of the sidewalk. We are born at this crack and we die at that crack. Now we find ourselves somewhere inside the square and in the process of walking outside of it. Suddenly, we realize our time in here is fleeting. Is our quick experience here pointless? Does anything we say or do in here really matter? Have we done anything important? Have we been happy? Have we made the most of these precious few footsteps?
Well, a few years ago I think I could have given you a more enthusiastic answer about that but in the last few years, for the first time in my life, I really haven't listened to much music. I used to work with music on and now I don't.
My music is nostalgic. The early Neil Sedaka songs are always catchy and very singable.
Empire Square production finishes in about a month's time, so at the moment, right now, I'm just completely full on Empire Square. There's no time to do anything else. But there's a few things on the back burner, including another Blur album before too long.
Besides music and charity, fashion is one of my interests that has been growing over the past few years. I think it goes so hand in hand, music and fashion.
The thing I realised about composition is, we remember most composers for four bars of music. Four singable bars of music. Pretty much any major composer from Debussy to Ravel to Mozart to whoever else - you can kind of hum it.
Music has changed a lot over the past few years so I believe it's necessary to adjust in order to make music the fans want to hear. If I need to release single after single instead of releasing the album, that is what I will do to reacquaint fans with who I am as an artist now.
For the longest time I was brought up listening to only two genres of music, pop and rock. So in the past few years I've been trying to expand my interests because I think that you can only write to the extent of your knowledge, and if your knowledge is limited you can't write past that.
As for the square at Meknes, where I used to go every day, it's even simpler: I do not see it at all anymore. All that remains is the vague feeling that it was charming, and these five words that are indivisibly bound together: a charming square at Meknes. ... I don't see anything any more: I can search the past in vain, I can only find these scraps of images and I am not sure what they represent, whether they are memories or just fiction.
But why is it that in music, anything more than 5 years old - apart from a few hits - is never played on radio to the young public?
In the last few years I've been listening to jazz more than anything else. I listen to a lot of world music and experimental here and there.
I complain that the years fly past, but then I look in a mirror and see that very few of them actually got past.
The business has changed dramatically from what it was even just a few years ago. Music isn't even distributed the same way anymore. Even CDs are becoming a thing of the past. The Internet has made it easier to get my music out to anyone who wants it, but at the same time, I feel like we're losing the mystique.
Naturally, underground music often gravitates toward experimentation and the abstract. That's understandable, and more often than not, it feels great to dive into a difficult album and swim a few laps.
My listening changed when I heard music from Stax, Atlantic, Motown because by that age I thought anything that my parents listened to must be square. So I had to find my own rock n' roll, as it were, and I found it in black soul music.
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