A Quote by Ethel Merman

I've made a wonderful living playing that theatrical character - the professional brassy dame. — © Ethel Merman
I've made a wonderful living playing that theatrical character - the professional brassy dame.
I've made a wonderful living playing that theatrical character - the professional brassy dame
Rembrandt was way ahead of his time. It's as if he was painting an amateur theatrical, or a professional theatrical, in his studio. It's a kind of performance.
Three coaches at Notre Dame made a big difference in my life, not that I played any football when I attended Notre Dame. But Frank Leahy, Ara Parseghian, and Lou Holtz - they all made a difference to me, and I respected them for their attitudes about life and how they handled loss.
We had to be very careful on our best behaviour when we went to these other countries. And then I made a living, I had a chance to support my wife and my kids. It was a wonderful, wonderful, wonderful program from that point of view.
For early plays of mine, I started with character. But I think that's because I hadn't been in theaters; I hadn't worked that much. I'm very interested in character, obviously, but once I started having my plays produced, I became so fascinated by the theatrical experiment and the weirdness of theatrical space, so now all my plays start with space and stage picture and setting - or container is maybe the better way to put it.
I always liked playing music and I always wanted to be good at playing guitar. I always saw myself as an old man living in the mountains playing a guitar, but I didn't really turn that into a desire to be a professional musician or a singer or a rock star or anything like that.
We have not made cricket and football [soccer] professional because of any astonishing avarice or new vulgarity. We have made them professional because we would have them perfect. We have dedicated men to them as to some god of inhuman excellence. We care more for football than for the fun of playing football.
I have been a Cowboys fan since I was a little bitty boy. And my dream has finally become a reality, of not only just playing a professional, becoming a professional athlete, but playing for the team that I always wanted to play for.
When I started in the late 1950s, every film I made - no matter how low the budget - got a theatrical release. Today, less that 20-percent of our films get a theatrical release.
I'm a big fan of character actors like Johnny Depp and Gary Oldman. My goal is to continue playing character roles in indie films and move into playing character leads.
What appealed to me about 'The Loved Ones' script was that it had this really theatrical element to it. I thought that the scope of this character is so broad, and there is so much fun to be had playing a crazy teenage loner. It was a great way to explore the delusions a mind can create.
When I started, every film got a full theatrical distribution. Today, almost no low budget films, maybe two or three a year, will get a full theatrical distribution. We've been frozen out of that, which means they must be aware that for a full theatrical distribution it either has to be something like Saw or some exploitation film of today or an extremely well made personal film.
I think by the time I finished college I was calling myself a professional because I was, you know. I was making a living playing music.
'EastEnders' has been wonderful to me and it's no secret that it changed my life all of those years ago. I'll be so sad to leave Peggy behind; she's such a wonderful character to play. I have had the pleasure of working with a marvelous cast and crew and have made many lasting good friends.
I decided to do philosophy at university, with a view to becoming a professional philosopher. Being a rather unstable character, at some points I had doubts about becoming a professional philosopher, but the example of two of my teachers, Ezequiel de Olaso and Juan Rodriguez Larreta, made me confirm my original decision.
I am not qualified to be a Dame. To be Dame you have to represent England in a way that I don't.
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