A Quote by Etta James
I sing the songs that people need to hear.
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You hear people sing songs about when they really can't stand anyone anymore or you hear people sing songs about when they really love someone and they really love them.
Musicians make up for the copies of their songs that get pirated by performing live. I don't think there will be as many people showing up to hear me read as to hear Beyonce sing. We need to make sure piracy is dealt with effectively.
I know I'm stronger in the songs than I really am. Sometimes I need to hear it myself. We all need to hear those empowering songs to remind us.
Here's some free advice; like the folkies of yore, you need to be not just a writer of songs, you need to be a lover of songs, a listener of songs and a collector of songs. If you hear a song in a club that knocks you out or you hear an old recording of a great song you never knew existed, it does not diminish you to record it; it actually exalts you because you have brought a great song from obscurity to the ear of the public.
There's a strong wave of songs by women. Even if the songs are collabs, women have the intro and the chorus, which is what people can sing. We're getting the credibility, the spaces in the award shows, and people want to hear our point of view.
Often for me, if I hear a song I know, it clicks for me and I hear it in a different way and I think, "I could sing that song. I've got something to say about that song. Wanting to connect with an audience and wanting them to rethink songs; it is actually important to do songs they're familiar with. Also, I love those songs. In a way, I think I've changed people's perceptions of what a cabaret show like this could be.
My aim in times to come is not to just work with Muslims but to actually sing songs for everyone and sing songs in which people all over the world can relate to.
I used to sing Bill Monroe songs. And I'd sing Dennis Day songs like songs that he sang on the Jack Benny show.
There's still injustice happening in my world. I sing my songs at concerts and I'm so grateful that the people are ready to hear them.
There are definitely some songs you sing and you just know there's something about it - there's kind of a touch on it that's different. But there are no rules to that. Every time, it's a surprise and it's humbling to hear that people are singing the songs in different places and different parts of the world. We're always amazed by that.
For me, I really feel like if there's not a real, true connection to the material, I don't need to sing it. I don't need to sing songs just because I like them anymore. I've done that.
Since I am an avid singer and a lot of my fans want to hear me sing, I thought it will be really nice to sing my songs online so that more people could watch me, and I thought digital is the best way to connect with everyone.
The beauty of Billie Holiday is that she gave every singer after her the license to interpret and perform music in ways that were unique to each of us. Her uniqueness was very much a part of the way she sang the songs, the story she wanted to tell through the songs. I didn't really have a full understanding of Billie until I left home -- until I'd lived a little, shall we say. At different seasons of my life, when I'd sing her songs or listen to her albums, I'd hear things I didn't hear before. Wherever you are in life, you'll hear different things in her songs.
I could stand out front and sing Eagles songs that I sing in my set, but I think people enjoy watching me sing and play the drums. It seems to fascinate people. I don't know why.
I'm still going to sing these songs because trap is a type of music very popular in the streets, and people want to hear it.
He [Alan Lomax] started right off trying to find people who could introduce folk songs to city people. He found a young actor named Burl Ives and said, "Burl, you know a lot of great country songs learned from your grandmother, don't you know people would love to hear them?" He put on radio programs. He persuaded CBS to dedicate "The School of the Air" for one year to American folk music. He'd get some old sailor to sing an old sea shanty with a cracked voice. Then he'd get me to sing it with my banjo.
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