A Quote by Etta James
When I look out at the people and they look at me and they're smiling, then I know that I'm loved. That is the time when I have no worries, no problems.
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President Obama and Hillary Clinton have, and Kerry have allowed tens of thousands of people into America. The FBI is now investigating more people than ever before having to do with terror. And it's from the group of people that came in. So look, look, our country has a lot of problems. Believe me. I know what the problems are even better than you do. They're deep problems, they're serious problems. We don't need more.
The world is being run by people my age, men my age, with falling-out hair and health worries, and it frightens me. When the leaders were older than me I could believe in their wisdom, I could believe they had transcended rage and malice and the need to be loved. Now I know better. I look at the faces in newspapers, in magazines, and wonder: what greeds, what furies drive them on?
I think if I heard someone else talking about their life, describing all the problems I've had, they'd look like they were through. Done. But there's something about me - I'm smiling. Those things are really not bad enough to put me in a slump. I'm smiling with the opportunity to wake up every morning.
You look at Iran, you look at North Korea, you look at terrorists, we don't even know where to look. We don't know where to look. But believe me, you can look all over, so we are going to do that. We need a form of shield. We want to protect our country.
People constantly requesting government intervention are casting their problems at society. And, you know, there's no such thing as society. There are individual men and women and there are families. And no government can do anything except through people, and people must look after themselves first. It is our duty to look after ourselves and then, also, to look after our neighbours.
Look, I'm smiling at you, I'm smiling in you, I'm smiling through you. How can I be dead if I breathe in every quiver of your hand?
On TV people look at your hair and then they look at your skin, and then they look at your clothes, and by the time they're listening to what you're saying, you're off the screen.
People look at film in a gallery, and if they walk out after two minutes they know they haven't seen the whole work. But then people look at a painting for two minutes and think they've seen it. Certain paintings are made to be consumed fast. But some require a slowed-down time. You have to go back to them.
People always accused me of not smiling like my rival Olga Korbut, but that was just my personality. When you're balancing on a nine-inch beam, you have to concentrate. But if you look back at the footage, I was always smiling and waving at the crowd after my performances.
Honestly, I look at the project and I look at the people attached and I look at the director. If it's a role that I feel will help me, as an actor, then I'll definitely take it.
I would say, we have had a lot of problems with radical Islamic terrorism, that's what I'd say. We have had a lot of problems where you look at San Bernardino, you look at Orlando, you look at the World Trade Center, you look at so many different things. You look at what happened to the priest over the weekend in Paris, where his throat was cut, 85-year-old, beloved Catholic priest. You look at what happened in Nice, France.
You gather a certain number of people around you but, you know, they look - they look - they didn't look to me like people who were, you know, carefully studying political science and were all upset about the ideology of the election.
I found that gloss paint suited me entirely, and its qualities still intrigue me. It's viscous and fluid and feels like a pool. It's highly reflective, which means there are layers of looking. You look at the picture, and you look at the surface, then you look at the reflection in the surface behind you, then you look at yourself.
We have had a lot of problems where you look at San Bernardino, you look at Orlando, you look at the World Trade Center, you look at so many different things.
Stained is about a lonely bookshop keeper, and her past comes back to haunt her. I play a femme fatale, schizophrenic serial killer. They offered me the part and I was like, "I'm just curious why you thought I would be perfect for this role," and the director (Karen Lam) said, "You have this look that, when you're smiling, you're really sweet, but when you're not smiling, you look like you could kill somebody."
I don't have time for their judgement and their stupidity and you know they lay down with their ugly wives in front of their ugly children and look at their loser lives and then they look at me and they say, 'I can't process it' well, no, you never will stop trying, just sit back and enjoy the show. You know?
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