A Quote by Eudora Welty
How can you go out on a limb if you do not know your own tree? No art ever came out of not risking your neck. And risk--experiment--is a considerable part of the joy of doing.
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No art ever came out of not risking your neck.
there's a lot of dangerous sports. You know, my opinion, football is the most dangerous sport there is. After that I'll give it to probably boxing. Then there's some other extreme sports out there, motocross where you're really risking your neck every time you go out there and do it.
There is nothing wrong with anger. Anger is a beautiful emotion, as valid and rich as joy or laughter. But you have been taught to repress your anger. Your anger has been condemned. If anger is unexpressed, it will slowly poison you. The key is to know how to express your anger. Do not throw it out onto any one. No one is responsible for your anger. Simply express your anger. Beat up a cushion. Go for a run. Express your anger to a tree. Dance your anger. Enjoy it.
It’s all risk. And if it isn’t, it needs to be. The real trick is to find the risk that is right for you, a risk that doesn’t take you so far out of your own identity that it’s not a you that you recognize who’s doing the writing.
You risked your life, but what else have you ever risked? Have you risked disapproval? Have you ever risked economic security? Have you ever risked a belief? I see nothing particularly courageous about risking one's life. So you lose it, you go to your hero's heaven and everything is milk and honey 'til the end of time. Right? You get your reward and suffer no earthly consequences. That's not courage. Real courage is risking something that might force you to rethink your thoughts and suffer change and stretch consciousness. Real courage is risking one's clichés.
Just by being out you're doing your part. It's like recycling. You're doing your part for the environment if you recycle; you're doing your part for the gay movement if you're out.
I don't think you can be taught how to make art. You can be coached, but on a fundamental level you have to figure it out for yourself. You have to learn how your own mind works, figure out your own relationship to the art; you essentially have to invent it completely for yourself.
The risk of working with people you don't respect; the risk of working for a company whose values are incosistent with your own; the risk of compromising what's important; the risk of doing something that fails to express-or even contradicts--who you are. And then there is the most dangerous risk of all--the risk of spending your life not doing what you want on the bet that you can buy yourself the freedom to do it later.
You have something on your neck. What Looks like a bite mark, what were you doing out all night, anyway? Nothing. I went walking in the park. Tried to clear my head. And ran into a vampire What? No! I fell. On your neck?
It's about risking everything. Putting your heart on the line, even when you don't know what's going to happen. It's risking having the person you love rip it out and stomp all over it in public.
Learn how to grow out of yourself and into the world of others: Plant a shade tree under which you know you will never sit. Set some goals that may benefit your children or an orphanage or the employees of your company or future generations or your own city, fifty years from now.
In order to get to the fruit of the tree, you have to go out on a limb.
I never did well meeting strangers, so my favorite part of partying as a couple was that I didn't need to strike up conversation from scratch. If you've ever had to go out and meet new people on your own, you would understand. It can be a bit of an awkward situation. If you're already out at a party with someone you know, it takes that pressure off.
I live through risk. Without risk there is no art. You should always be on the edge of a cliff about to fall down and break your neck.
A lot of the time when you're doing your own work, it's all in your own head, which can be frustrating if you're prepping for something, especially an audition where it's all in your brain and you go in and no one else has seen it and you don't really know how it fits.
I know it's easier to portray a world filled with cynicism and anger, where problems are solved with violence...It's an easy out. What's a whole lot tougher is to offer alternatives, to present other ways conflicts can be resolved, and to show you can have a positive impact on your world. To do that, you have to put yourself out on a limb, take chances, and run the risk of being called a do-gooder.
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