A Quote by Eugene Burger
The spirits are an age-old theme, a story from darkest history, and therefore a presentational anchor that can be used with many different magic tricks.
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History isn't like that. History unravels gently, like an old sweater. It has been patched and darned many times, reknitted to suit different people, shoved in a box under the sink of censorship to be cut up for the dusters of propaganda, yet it always - eventually - manages to spring back into its old familar shape. History has a habit of changing the people who think they are changing it. History always has a few tricks up its frayed sleeve. It's been around a long time.
I found this really fantastic used record store in Japan, and I bought all these different records and different 45s, and one of the 45s was just, it had the theme, "Green Leaves of Summer," the theme to "The Alamo" on one side, and then on the flip side was a theme to, the theme to "The Magnificent Seven."
One thing you learn doing magic tricks for a living is how close every performance of every magic trick is to disaster. There are no robust magic tricks. They're all hanging from a thread - sometimes literally.
Growing up, yeah, I had a magic kit with learn tricks and learn card tricks, but I was never... I used to watch whatever magic special was on as a kid, but then, it's not that I lost interest, but to be a magician, you really, it's really hard work. Learning lines is hard enough; learning sleight of hand, that's real practice.
When I was six years old, I fell in love with magic. For Christmas, I got a magic box and a very old book on card manipulation. Somehow, I was more interested in pure manipulation than in all the silly little tricks in the box.
This is a wonderful book, unique and engaging. Diaconis and Graham manage to convey the awe and marvels of mathematics, and of magic tricks, especially those that depend fundamentally on mathematical ideas. They range over many delicious topics, giving us an enchanting personal view of the history and practice of magic, of mathematics, and of the fascinating connection between the two cultures. Magical Mathematics will have an utterly devoted readership.
Magic, historically, has been a man doing tricks with no wider story behind it.
The experience of reading a printed comic book will never change, but now, thanks to the digital age, there are many different ways to enjoy the same story. Digital comic books, of course, can be interactive in many different ways, allowing the reader to feel like a participant in the story.
I'll say, 'I really like Daenerys,' and then I go, 'Wait, but I like the Stark theme, too, and I like the Lannister theme.' I keep jumping around. But I think that's kind of the beauty of 'Game of Thrones,' that there's so many different ones, and they're all kind of different, and they do different things.
I made 'Desert Moon' and when I made those solo albums, I was trying not to be Styx, because I thought, 'That belongs to us.' So, I made different kinds of solo albums that were not dipping my hand back into the magic Styx jar and pulling out all the tricks - because bands, they have tricks, don't they? That's what makes them different.
I had loved magic tricks from the time I was six or seven. I bought books on magic. I did magic acts for my parents and their friends. I was aiming for show business from early days, and magic was the poor man's way of getting in: you buy a trick for $2, and you've got an act.
From an early age, my initiative took many forms - teaching myself magic so I could do magic shows, buying wholesale goods and then selling them to other kids, learning many languages.
People get inspired to write, paint, draw, sing, sculpt, dance in many different ways. And there are many types of art. But the one thing that they all have in common is that they are all a sort of magic. Sometimes the magic flows from one’s fingers, other times it is transferred to the person who experiences the result. Magic has always worked in mysterious ways.
Magic has always been of a great interest of mine. I was an amateur magician when I was young. I used to practice and read up on it a lot. I'm well-aware of the history of magic.
The convention of the coming-of-age story and the love story were literally abandoned - because they had to be - and a new kind of coming-of-age and love story emerged that required a different kind of telling the story.
Because 'Gob' was a terrible magician, he was always, in great comedic moments, messing up his magic act. We used to have magicians come in to work on these tricks to actually get them wrong. But they still had to work. We had to bring magicians on to make magic not work.
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