A Quote by Eugene Chadbourne

I play these sort of comical instruments I invented, like the electric rake and the electric plunger. I do a lot of almost stand-up comedy material. Just the juxtaposition of the different styles in itself sometimes is funny. Like, I do sort of an acoustic version of 'Purple Haze' that has some bluegrass licks in it.
I'm glad I can do both full-band electric and solo acoustic performances. It's nice to have contrast, so if you get fed up with one, you can just switch to the other one. It's great to go to a town and play an acoustic show, and then you can come back a year later and play electric, and the show's really fairly different. The repertoire will be 50 percent different. The musical energy is completely different.
One thing I really hate about people who play both acoustic and electric is if they try to play electric style on an acoustic guitar. You must develop it as a totally different thing.
I like big shows, a lot of volume and a lot of energy. I love electric instruments. But I do love mixing those with bluegrass instruments and cranking those up, too, with a little bit of that rock energy.
I do the protest stuff. I do country and western. I play both acoustic and electric guitar in a lot of different styles, from loud, psychedelic stuff to quiet finger-picking.
I sit around and play acoustic guitar - usually acoustic, sometimes electric, occasionally piano, but more often guitar, just trying to come up with tunes. Ideas kind of pop into your head.
I was interested in the electric guitar even before I knew the difference between electric and acoustic. The electric guitar seemed to be a totally fascinating plank of wood with knobs and switches on it. I just had to have one.
The first thing you realise very quickly when you decide to do an acoustic version of an electric song is your solo either becomes either very truncated, very different, or non-existent, because even if you play a clean solo, it's different with the Kryptonite... with the acoustic.
I tried playing electric for awhile and it just didn't work out. My reflexes are centered on the six string acoustic. I just played the electric too hard and it sounded awful, so I gave it up.
Can you imagine a guy breaking into your car, and he steals your guitar case 'cause he thinks it's a guitar, and he gets it home and opens it up and there's a rake inside it, an electric toilet plunger and a dog skull? That actually happened.
I play acoustic when I need to play acoustic, and I say I'm probably a better acoustic player than I am electric.
People love the electric rake. You just hit it or whatever you want to do. You can't play 'Swanee River' on it. You have to just make terrible noise. Occasionally, it will make a sound like a note.
I still prefer to hear [Bob] Dylan acoustic, some of his electric songs are absolutely great. Electric music is the vernacular of the second half of the twentieth century, to use my father's old term.
One has the feeling of enormous safety. You don't have the torque from the propeller. You have no noise; it's almost like little electric motors humming inside, and you feel sort of safe.
As much as I love acoustic Neil Young - and I do deeply - I may be more passionate about the electric. Luckily it's not a contest, and we never have to make that choice. But Neil Young on an electric guitar - I feel like I've never seen or heard anything like it.
I even played bass for a while. Besides playing electric guitar, I'd also get asked to play some acoustic stuff. But, since I didn't have an acoustic guitar at the time, I used to borrow one from a friend so I could play folk joints.
Electric guitars are an abomination, whoever heard of an electric violin? An electric cello? Or for that matter an electric singer?
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