A Quote by Eugene Delacroix

Mythological subjects always new. Modern subjects difficult because of the absence of the nude and the wretchedness of modern costume. — © Eugene Delacroix
Mythological subjects always new. Modern subjects difficult because of the absence of the nude and the wretchedness of modern costume.
It's modern day. It is modern day. Some of the cars are older but it is absolutely modern day. There are modern cars in it, modern people, modern clothes, modern talk. We wrote 'Valentine' to sort of pay tribute to all the old slasher movies that we grew up with and I think that we did that.
In the Middle Ages the king offered protection to his subjects in return for their loyalty, and the subjects were doubly protected, for the church also sheltered them. The need for shelter - for a father image that cares and will hopefully provide and give some meaning to human lives - remains as real as it was in the Middle Ages, but modern technocracy has no place for either the father or the church and provides no substitute.
I have always chosen subjects which are little different, and not subjects that you see. That challenges me and the actors who work in the project.
Sex has become one of the most discussed subjects of modern times. The Victorians pretended it did not exist; the moderns pretend nothing else exists.
It's often said that I choose subjects that are sensational! I choose to film subjects that spark difficult conversations and make people uncomfortable. Change only comes about when people are forced to discuss an issue, and that's what I hope my films do.
My concern with this approach is that music becomes a substance devoid of people. It's a consumer model of what music is: subjects listening to objects. For me, music is subjects listening to subjects. It's about intersubjectivity.
Make it new is the message not just of modern art but of modern consumerism, of which modern art is largely a mirror image.
History is of all subjects the one which is most engaged with people's perceptions of themselves, identity, politics, all those things which shape the modern world.
Modern art, in particular, seems especially vulnerable to fraud. Its abstractions are sometimes difficult to understand or grasp, and a modern painting is often loved less because of its intrinsic quality - its beauty, as conventionally understood - than because of the identity of the painter, its mark of social status.
A seventeenth-century painting can be "modern" because the living eye finds it fresh and new. A "modern" painting can be outdated because it was a product of the moment and not of time.
I've always been interested in exploring difficult subjects for the mainstream.
About Grade 9 and Grade 10, I had a fantastic drama teacher, and it was one of the first subjects I actually felt that I was good at. I wasn't a mathematician. Didn't like science, any of those subjects. English and Drama were the two subjects that I loved and felt that I was good at.
Words and sentences are subjects of revision; paragraphs and whole compositions are subjects of prevision.
'The Lady's World' should be made the recognized organ for the expression of women's opinions on all subjects of literature, art and modern life, and yet it should be a magazine that men could read with pleasure.
I was never particularly academic, so it was no great surprise when I failed my 11-plus and consequently went to Wibsey Secondary Modern. I did all right in English, history and music, which were the subjects that most interested me.
Hundreds of scientists from around the world are gathering in Washington, D.C. for what some say could be a historic meeting. They are attending an international summit to debate one of the most controversial subjects in modern science , editing human DNA.
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