A Quote by Eugene Delacroix

What is real for me are the illusions I create with my paintings. Everything else is quicksand. — © Eugene Delacroix
What is real for me are the illusions I create with my paintings. Everything else is quicksand.
The master and the student on the journey to mastery, knows that the illusions are the illusions, decides why they are there, and then consciously creates what will be experienced next within the self through the illusions. When facing any life experience, there is a formula, a process, through which you may choose to move through mastery. Simply make the following statements: One, nothing in my world is real. Two, The meaning of everything is the meaning I give it. Three, I am who I say I am, and my experience is what I say it is. This is how to work with the illusions of life.
The narrative oftentimes is that everything that comes out of the hood is 'real,' and so I thought, 'I'll base it on the absurd, the not real. I'll twist the idea of real on its head and see if I can get away with it. I'll make paintings that come not from a place but through an abstract gaze.'
The only cure for loss of illusions is fresh illusions, more illusions, and always illusions.
When someone has to do work for me, I lose my mind. I can't help it, I'm a bit of a control freak. I've always wanted something that would depict slow-moving paintings, stunning artwork that also incorporates movement. It was hard letting someone else create that vision for me, but I love it.
It's what we live for, to be able to make great illusions. The thing about 'Entourage' is everything we do is realistic. We go to the real places, we shoot on location. We get the real people. It's a perfect marriage between fact and fiction.
A role is a role where I play someone else, but when it comes to paintings, it is me. It is unadulterated Shefali and there is no control and I can let go. I am unabashedly unapologetic about it. That is what is interesting about my paintings.
Writing plays supplied for me everything that painting didn't, which is the ability to tell stories in real time, in a real space, in three dimensions, in flesh and blood. I realized I had been trying to cram all this narrative into my paintings, but ultimately painting was a static medium. So it just opened up this whole new door.
Technologies evolve in the strangest ways. Computers were created to calculate ballistics equations, and now we use them to create amusing illusions. Creating amusing illusions is a big business if you play it right.
I can't just have one painting - I need to cover the wall in paintings. It's the same with my music. I want to mix everything together to create more.
Reality even when it is sad is better than illusions. Illusions are at the mercy of any winds that blow. Real happiness must come from within, from a fixed purpose and faith in one's fellow men.
What I've learned over the years is it's so much better to surround yourself with real talent and hire real chefs. I learned more from the chefs I have working for me than you could ever imagine. There's nothing wrong with being able to create opportunities for people, and you don't have to do everything, take credit for everything, and have all the weight be on your shoulders.
I want to create a thousand paintings, maybe two thousand paintings, as many as I can draw.
The earliest paintings I loved were always the most non-referential paintings you can imagine, by painters such as Mondrian. I was thrilled by them because they didn't refer to anything else. They stood alone, and they were just charged magic objects that did not get their strength from being connected to anything else.
Shyness is a curious thing, because, like quicksand, it can strike people at any time, and also, like quicksand, it usually makes its victims look down.
Never get in the middle of someone else's quicksand.
It fascinates me to create beautiful paintings with the simplest means.
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