A Quote by Eugene Delacroix
Give me some mud, and I will paint you a woman's flesh.
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Give me some mud off a city crossing, some ochre out of a gravel pit and a little whitening and some coal dust and I will paint you a luminous picture if you give me time to gradate my mud and subdue my dust.
I want paint to work as flesh... my portraits to be of the people, not like them. Not having a look of the sitter, being them ... As far as I am concerned the paint is the person. I want it to work for me just as flesh does.
Everyone knows that yellow, orange, and red suggest ideas of joy and plenty. I can paint you the skin of Venus with mud, provided you let me surround it as I will.
I paint a woman's big rounded buttocks so that I want to reach out and stroke the dimpled flesh.
If I were a painter, I would paint beautiful bodies - I would paint nipples, and I would paint Bibles. Am I going to say, 'I'm not going to paint this woman's neck because people will think I just want to lick on necks?' Please! That's not what art is about.
My young sisters, we have such hope for you. We have such great expectations for you. Don't settle for less than what the Lord wants you to be... Give me a young woman who loves home and family, who reads and ponders the scriptures daily, who has a burning testimony of the Book of Mormon... Give me a young woman who is virtuous and who has maintained her personal purity, who will not settle for less than a temple marriage, and I will give you a young woman who will perform miracles for the Lord now and throughout eternity.
If you want to honor me, give some young boy or girl who's coming along trying to create arts and write and compose and sing and act and paint and dance and make something out of the beauties of the Negro race-give that child some help.
I was some of the mud that got to sit up and look around. Lucky me, lucky mud.
The most horrible question students ask: 'How do you paint copper?' 'How do you paint flesh or glass?' You paint everything the same way: Right color, right value, in right spot. There are no prescriptions.
The Tour de France is a wicked sport in the way that it's not just man against man or woman against woman; it's not flesh against flesh. It's flesh against machine.
Nothing disciplines the inordinate desires of the flesh like service, and nothing transforms the desires of the flesh like serving in hiddenness. The flesh whines against service but screams against hidden service. It strains and pulls for honour and recognition. It will devise subtle, religiously acceptable means to call attention to the service rendered. If we stoutly refuse to give in to this lust of the flesh, we crucify it. Every time we crucify the flesh, we crucify our pride and arrogance.
I will choose what enters me, what becomes flesh of my flesh. Without choice, no politics, no ethics lives. I am not your cornfield, not your uranium mine, not your calf for fattening, not your cow for milking. You may not use me as your factory. Priests and legislators do not hold shares in my womb or my mind. If I give it to you, I want it back. My life is a non-negotiable demand.
Give me a man or woman who has read a thousand books and you give me an interesting companion. Give me a man or woman who has read perhaps three and you give me a very dangerous enemy indeed.
Chained inside the carriage is a sinful woman. When we set the carriage afire, her flesh will be roasted, her bones will be charred: she will die an agonizing death. Never again will you have such a perfect model for the screen. Do not fail to watch as her snow-white flesh erupts in flames. See and remember her long black hair dancing in a whirl of sparks!
What a man can take with a sword, a woman can give by her flesh alone. Life.
A shared choice movement sees the fetus as the genes of a woman and the genes of a man; the flesh of the woman, the flesh of the man; the bone of a woman, the bone of a man; the responsibility of a woman, the responsibility of a man; the rights of a woman, the rights of a man. It desires a transition to equality.
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