A Quote by Eugene Delacroix

Take hold of objects by their centres, not by their lines of contour... The contour accentuated uniformly and beyond proportion, destroys plasticity, bringing forward those parts of an object which are always most distant from the eye - namely its outlines.
The splitting up of color [as Impressionists did] brought the splitting up of form and contour . . . Everything is reduced to a mere sensation of the retina, but one which destroys all tranquility of surface and contour. Objects are differentiated only by the luminosity that is given them.
I like to do my contour the bronzy kind of way so it is not too strong and you can see the highlights on the cheekbones. I use bronzer as my contour.
Don't contour with blush - that's so eighties. It was an amazing trend then, but it's not hot now. Instead, go for a neutral contour color that's one or two shades deeper than your skin tone.
One thing I really don't like seeing is when girls do a full contour and then foundation and then powder and then more contour and it's a full face of makeup. I don't like that at all.
Every human body has its optimum weight and contour, which only health and efficiency can establish. Whenever we treat women's bodies as aesthetic objects without function we deform them.
The contour should come last, only a very experienced eye can place it rightly.
As an architect, I learned to think and express myself on flat forms, on paper, and to imagine the contour of the lines of a design.
Perspective is nothing more than a rational demonstration applied to the consideration of how objects in front of the eye transmit their image to it, by means of a pyramid of lines. The Pyramid is the name I apply to the lines which, starting from the surface and edges of each object, converge from a distance and meet in a single point.
These differences, they say, are three: shape, arrangement, and position; because they hold that what is differs only in contour, inter-contact, inclination.
There is no one part of the brain which recognizes or responds emotionally to music. Instead, there are many different parts responding to different aspects of music: to pitch, to frequency, to timbre, to tonal intervals, to consonance, to dissonance, to rhythm, to melodic contour, to harmony.
The seeing of objects involves many sources of information beyond those meeting the eye when we look at an object. It generally involves knowledge of the object derived from previous experience, and this experience is not limited to vision but may include the other senses: touch, taste, smell, hearing, and perhaps also temperature or pain.
When you a darker brunette and have pale skin like I do, it can wash you out a bit, so learning to contour is really helpful. I think you can be a bit more bold with eye makeup to define your eyes, and the same with lip colors - you can go for dark wine colors, which I love.
The imagination of man is naturally sublime, delighted with whatever is remote and extraordinary, and running, without control, into the most distant parts of space and time in order to avoid the objects, which custom has rendered too familiar to it.
The contour eludes me.
I don't need that much contour.
Believe in the holy contour of life.
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