A Quote by Eugene Delacroix
Perhaps the sketch of a work is so pleasing because everyone can finish it as he chooses.
Related Quotes
There is no means of testing which decision is better, because there is no basis for comparison. We live everything as it comes, without warning, like an actor going on cold. And what can life be worth if the first rehearsal for life is life itself? That is why life is always like a sketch. No, "sketch" is not quite a word, because a sketch is an outline of something, the groundwork for a picture, whereas the sketch that is our life is a sketch for nothing, an outline with no picture.
I work on fittings, mostly. You know, I sketch less and less in my work. I sketch for the show sometimes, but then it becomes more conceptual. But when I don't sketch, it becomes more pragmatic.
Because it's uncensored cable, I think we'll be able to do the kind of sketch comedy that really hasn't been seen before. We can actually finish jokes.
If you wanna be an artist carry sketch pad with you, and sketch everything you see. Get so you can draw anything and it looks like what it's supposed to be. It's a lot of work, but if you really have it in you, it's not like work. It becomes fun.
When somebody would come in with a sketch that was not so good, you figured out in a room how to make that sketch work.
The core of my work is dedicated not to pleasing women, but to pleasing men.
I advocate for people who believe sex work is work. But women have so many avenues open. In the same way, a trans woman or a hijra should have that many doors open. If later on she chooses sex work, that's fine. But she shouldn't have to choose sex work because all the other doors are closed. Every hijra or trans person is not a sex worker. We need our own respect. And whoever chooses sex work after having all doors open, I really respect that.
When you have a great and difficult task, something perhaps almost impossible, if you only work a little at a time, every day a little, suddenly the work will finish itself.
Nearly everyone who chooses to work for Donald Trump is disreputable in one way or another; Ali Baba didn't find 40 wise men in the cave. But to label everyone in Trumpworld a grifter misses important subtleties. It conflates grifters and grafters, and it ignores the crucial distinction between the two.
I always say when you write a book, you're a 'one-man band.' Whereas, when you finish a screenplay, it's just a sketch.
Sketch shows change gears so drastically every two minutes. I think sketch shows are for sketch fans; they're not really for everybody.
There was a male sketch group in my college. I was like why isn't there a female sketch group? So then I started doing sketch comedy and all that stuff. It just happened.
The core of my work is dedicated not to pleasing women, but to pleasing men. Men are like bulls. They cannot resist the red sole.
I think one of the reasons I've done so much period work is because I feel so depressed by how society chooses to represent women in contemporary work.
The idea that one might derive satisfaction from his or her successful work, because that work is ingenious, beautiful, or just pleasing, has become ridiculed.
Wouldn't it be incredible if everyone could be purged, somehow, of the projected not-them badness that they internalized and perhaps have acted out because their souls have been so damaged? Wouldn't it be incredible if everyone could find the joy that comes with committing to our own goodness? Perhaps we would stop dividing ourselves into malignancies of various forms.
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