A Quote by Eugene Field

Mr. Clarke played the King all evening as though under constant fear that someone else was about to play the Ace. — © Eugene Field
Mr. Clarke played the King all evening as though under constant fear that someone else was about to play the Ace.
He played the King as though under momentary apprehension that someone else was about to play the ace.
He played the king as if afraid someone else would play the ace.
Then, at the end of every hand, Miss Bolo would inquire with a dismal countenance and reproachful sigh, why Mr. Pickwick had not returned that diamond, or led the club, or roughed the spade, or finessed the heart, or led through the honour, or brought out the ace, or played up to the king, or some such thing; and in reply to all these grave charges, Mr. Pickwick would be wholly unable to plead any justification whatever, having by this time forgotten all about the game.
I'm much better informed than Mr. Clarke ever was about the nature of the intelligence that was available again Osama bin Laden and which was consistently denigrated by himself and Mr. Tenet.
What annoys me about it is that your fate is always in somebody else's hands. It's always up to somebody else to decide whether or not they want you in their show and so the majority of actors have to play out a waiting game. The constant fear is that it could all end tomorrow.
I played Mary at the age of seven in my first nativity play, and I loved it - there is something so fascinating about embodying someone else.
When a king begins to act like a king, it is not long before someone else is king! Serving is a way we can place value on one another. A wise man is a server.
Learning to play old instruments was a challenge. How do you learn an instrument no one has played in hundreds of years? The ones that are used today, I was adamant not to hear anyone else play that instrument. I want to approach them as a child and on the basis of each instrument. I wanted my voice to come through, not someone else's.
The voice has been my joker card that sometimes has played like an ace and sometimes a joker. When you sing the way I sing, it's impossible to get people to talk about anything else.
'Jonathan Strange & Mr. Norrell' by Susanna Clarke is a big, thick book. About a thousand pages in paperback. I've heard several people say the size alone intimidated them.
While F.D.R. once told Americans that we have nothing to fear but fear itself, Mr. Ashcroft is delighted to play the part of Fear Itself, an assignment in which he lets his imagination run riot.
It is not a matter of being fearless. The fear is sometimes constant, but it's about moving forward regardless of the fear. Courage means feeling the fear and doing it anyway.
The cool thing about being in drag, just like getting to play a role in a play, is that you get to play a fantasy and you get to play someone else that you're not used to.
She warned me about Mr. Herondale, though, said he’d likely be rude to me, and familiar. She said I could be rude right back, that nobody would mind.” “Someone ought to be rude to him. He’s rude enough to everyone else.
Try to be the king, but the ace is back.
The most interesting guy I've ever played with was King Hassan of Morocco. I went over there on a trip in the early 1970s, and the King and I played five holes. I've never been that nervous in my life.
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