A Quote by Eugene Ionesco
I personally would like to bring a tortoise onto the stage, turn it into a racehorse, then into a hat, a song, a dragoon and a fountain of water. One can dare anything in the theatre and it is the place where one dares the least.
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So Zeno is most famous for his tortoise paradox. Let us imagine that you are in a race with a tortoise. The tortoise has a ten-yard head start. In the time it takes you to run that ten yards, the tortoise has moved one yard. And then in the time it takes you to make up that distance, the tortoise goes a bit farther, and so on forever. You are faster than the tortoise but you can never catch him; you can only decrease his lead.
There was a stage inside it and a crank on the outside that would rotate something, like a tiny tree carved of cork, onto the stage, and then the thousands of little mirrors would multiply that one tree so that the viewer would see an infinite forest instead.
You can go onto that stage every night, and it's always the equivalent of going onto the topmost diving board, and you don't know if there's any water in the pool.
I wear a hat on stage so that people won't be blinded by the reflection from my head. Also, if I don't wear a hat, there's no way that the hat can be at that level by itself on the stage.
I would like to bring to people something like happiness. I would like to discover a method so that if I want it to rain, it will start right away to rain. If one of my friends is ill, I'd like to play a certain song and he will be cured; when he'd be broke, I'd bring out a different song and immediately he'd receive all the money he needed.
I was happier then. Or was that I? Or am I now I? Can't bring back time. Like holding water in your hand. Would you go back to then? Just beginning then. Would you?
I think that that spirit, or at least the raucousness of maybe that, is in there. And then yeah, like, along the way, you fine tune it 'cause you're thinking, like, OK, we need to now turn this into a song.
People come to the Fountain Theatre because they've got hearts that are working and they've got heads that are working. They use the Fountain Theatre because it puts them in touch with the world that they're living in.
I suppose without curiosity a man would be a tortoise. Very comfortable life, a tortoise has.
I was about to walk on stage at the Kansas Speedway - I was playing a NASCAR race - and I said to Scooter Carusoe, who was standing side stage, 'I want to write a song called 'Wanna Be That Song.' Then I put my earphones back in and walked right out on stage.
Like anything important, anything you need people to hear - you've got to have music for it. You've got to make it at least a little piece of a song or sometimes a whole song.
I'm not saying no to anything, at least as far as reading scripts. I don't care if it's television or films but, personally, I would say I'd like to establish myself more in film.
Then come on up. DO everyone a favor and shut me up," he said. "Put down your money, pick up that ball, and let it fly, looker." "I'd rather not" People laughed. He flapped his arms and squawked like a chicken "Afraid you can't throw that far?" "I know I can" He lifted his hat in a small salute to my claim. Blond curls slipped out, then he plopped the hat back on and said, "I dare you.
People who have never done theatre before, and have only worked in front of a camera, would find it very difficult, I think, to know how to command a stage and work with the logistics of being on stage. They're very different. The theatre is quite tricky, actually.
I eat like a tortoise eats, if you've ever seen a tortoise eating. Like some prehistoric swamp thing.
Tortoise steps, slow steps, four steps like a tank with a tail dragging in the sand. Tortoise steps, land based, land locked, dusty like the desert tortoise herself, fenced in, a prisoner on her own reservation -- teaching us the slow art of revolutionary patience.
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