A Quote by Eugene Ionesco
Art goes beyond politics. Even if there are writers who are involved in politics, eventually, in one or two centuries, it's not their politics which is going to count, but the fact of having given life to feelings, of having created characters and made a living work of art.
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Politics is a part of life and art is about life. It doesn't mean that all the art has to be about politics - in fact, heaven forbid. But politics is a totally legitimate area of focus for any art, whether it's painting or songwriting or anything else, as much as sex is, as much as spirituality is, as much as any other behavior of people is.
The attempt to divide art and politics is a bourgeois which says good poetry, art, cannot be political, but since everything is … political, even an artist or work that claims not to have any politics is making a political statement by that act.
Politics is not predictions and politics is not observations. Politics is what we do. Politics is what we do, politics is what we create, by what we work for, by what we hope for and what we dare to imagine.
The politics of personal destruction, the politics of division, the politics of fear, it's all there. It helps you to define the politics of moderation - the politics of democratic respect, the politics of hope - more clearly.
Politics, which really is about the art of expression, ought to be a logical profession for writers (it's very hard to explain to politics- and policy-addicted people that language is the basis of all ideas - if you can't say it, you can't think it), instead of a refuge for lawyers and apparatchiks.
As long as you remember that if you get involved in politics, you have to be very careful that your leader is for Allah. You don't get involved in politics because it's the American thing to do. You get involved in politics because politics are a weapon to use in the cause of Islam.
I write some art criticism, and one thing that's clear to me is that politics is fashionable in the American art world in a way it maybe isn't in American fiction. Your work of art becomes fashionable the moment it has some kind of political commentary. I think this has its dangers - the equation between fashion, politics, and art is problematic for obvious reasons. Nonetheless, the notion of politics as being de rigueur in the world of fiction is almost unthinkable. In fiction in America at the moment, the escape into whimsy is far more prevalent than the political.
Politics is politics; art is art. If you play a political role, you have to stop being an artist.
I'm not creating art that starts with politics or starts with ethics. I feel I am a conceptual artist because my art is more concerned with epistemology than ethics or politics or even aesthetics.
My art will reflect not necessarily conscious politics but the unanalysed politics of my life.
Or they'll talk about fear, which we used to call politics- job politics, social politics, government politics.
Life is politics, basically, but you don't just go to a gallery and put the words 'art' and 'politics' on the wall.
We need a new kind of politics. Not the politics of governance, but the politics of resistance. The politics of opposition. The politics of joining hands across the world and preventing certain destruction.
There is in fact no such thing as art for art's sake, art that stands above classes, art that is detached from or independent of politics. Proletarian literature and art are part of the whole proletarian revolutionary cause.
I think if you're going to make political art, you have to engage at some level. You can't just write about politics, you have to try and be politics as well.
Living gives you a better understanding of life. I would hope that my characters have become deeper and more rounded personalities. Wider travels have given me considerably greater insight into how cultural differences affect not only people, but politics and art.
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