A Quote by Eugene Lee Yang

My time online has shown me that the viewers will respond most to authentic storytelling. — © Eugene Lee Yang
My time online has shown me that the viewers will respond most to authentic storytelling.
People always ask why I stay in the online space versus going to TV or film, like most people would do, and the answer is that there's opportunity for innovation online - not only innovation in storytelling, but also innovation in how you interact with your audience and that is very fulfilling to me personally.
The people who love my paintings, that respond to them the most, they're spectators, they're not viewers.
Our studies have shown that China's online censorship systems are by far the most sophisticated and extensive in the world.
I think blogging and the ability to instantaneously respond to news items has changed the way we approach all media. We're seeing people talking back to columnists, and going much further in the sexual realm than most papers, even alternative weeklies, will publish. I'm surprised more papers aren't having people do what you're doing with an online only column, and to be honest, I read almost all the media I do read online, and plenty of other people do, too, so I don't know what's stopping them.
In my most painful moments on the bike, I am at my most curious and I wonder each and every time how I will respond.
I think most people who were involved with television will tell you, if given a season or given a 13-episode order and getting those episodes on the air, and if viewers don't come, I think most people will tell you they'd walk away. They feel they were given a fair shake, and if viewers didn't come, they didn't come.
I think being authentic online and living my life so openly allows people to actually relate to me.
My films express me, my sense of rhythm, my sense of impact, my sense of kinetic energy. I like films to move, but I like also clear storytelling and characters, and most of all, I like authentic emotion.
Whether through TV, film, online, app, or web, we will find ways to tell our stories with authenticity, and engage with our viewers beyond traditional means.
When I'm working with pictures, with images and storytelling, it's really about the sentiment and the emotional trajectory of the characters. That's really where the music lives, I think. That's what I'm focused on; that's what I respond to most strongly.
I ignore the vast majority of things people say to me online. Sometimes, I respond. But all you see is the response.
The storytelling mind is allergic to uncertainty, randomness, and coincidence. It is addicted to meaning. If the storytelling mind cannot find meaningful patterns in the world, it will try to impose them. In short, the storytelling mind is a factory that churns out true stories when it can, but will manufacture lies when it can’t.
A lot of entertainment, and especially in a half-hour format, can be all jokes, all the time. And some of those jokes can be really, really funny, but what I respond to, as a viewers, is identification or caring about the characters.
We're committed to delivering our viewers and advertisers year-round programming with a wide variety of storytelling.
I'd like to think I could physically manage doing that, but I don't think it feels authentic to the kind of performer that I am. I think that, for me, being stationary and just sort of singing the songs seems to be the most connected and authentic expression for me on stage.
The best, most creative, most authentic content and stories will win, will rise to the top.
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