A Quote by Eugene Lee Yang

I always assumed that my otherness was a curse - that I would be held back by my Asian and queer identities. — © Eugene Lee Yang
I always assumed that my otherness was a curse - that I would be held back by my Asian and queer identities.
A lot of 'Star Wars' fans who are specifically Asian never had a character they could dress up like, or they would, and people would always call them 'Asian Rey' or 'Asian fill-in-the-blank.'
The fact that I get to play a queer Filipino on television and another queer character in 'Crazy Rich Asians' is huge. I never thought I'd have a career being myself. I always thought that being an actor in Hollywood meant that I would have to put that side of me on the back burner.
I always found it interesting when you went off to college, people would talk about how you go and search for your own identity. A lot of suburban middle-class kids would be shopping for identities and they would co-opt identities from other cultures.
Being an Asian person on SNL,' when people are like, 'Why did it take so long?' It's sort of a question that doesn't fully understand the idea that there is no developmental experiential process for a queer Asian person to get into comedy in a way that feels inevitable.
I'm Asian, so they assumed I'm not an American and that I come from Japan. Restaurants would refuse to serve me, and places would refuse to give you a haircut.
Men would bless you or curse you; The curse, a protest against failure, The blessing, a hymn of the hunter Who comes back from the hills With provision for his mate.
Eroticism is first and foremost a thirst for otherness. And the supernatural is the supreme otherness. This is perhaps the most noble aim of poetry, to attach ourselves to the world around us, to turn desire into love, to embrace, finally what always evades us, what is beyond, but what is always there – the unspoken, the spirit, the soul.
Otherness cannot be a form. For to alter is to deform rather than to form. Therefore, that which is seen in different things can also be seen in and of itself without otherness, since otherness did not give being to it.
I am an 'other.' As a queer, biracial man who occupies and embodies many different intersections of 'otherness,' I've spent my entire life seeking reflections of myself in the world around me to connect and relate to.
Someday, maybe we'll recognize that queer is actually the norm, and the notion of static sexual identities will be seen as austere and reductive.
Thinking back on it, I just really didn't have very many role models to look up to when it came to Asian actresses. And in that way, when I would see an Asian onscreen, it would be a secondary-type thing, and that's kind of how I ended up viewing myself in the world: as secondary.
The fact that I'm able to portray these complex, fully realized, queer Asian characters? I never thought it would be in this position. You just never see those types of characters and that type of representation.
Each and every one of us has multiple identities, and this is a fact that should be celebrated. I for example, am a queer black woman who grew up poor in Los Angeles.
And sometimes it's the very otherness of a stranger, someone who doesn't belong to our ethnic or ideological or religious group, an otherness that can repel us initially, but which can jerk us out of our habitual selfishness, and give us intonations of that sacred otherness, which is God.
I never thought in a million years I'd be involved in a project that celebrated the fullness of my identity of being queer and Asian.
A lot of artists I like end up being queer. Or maybe it's a subconscious thing that you can identify of, like, 'Oh this person understands the nuances of the romantic narrative of a queer person, or the social narrative of a queer person.' And then you discover, lo and behold that they are a queer person.
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