A Quote by Eugene Mirman

There's nothing sexier than a girl who's like, 'I know who FDR is, I know about the New Deal, I'm going to give you a new deal.' And then, over a period of years, she structures her sex acts in such a way that they save the economy.
The amazing thing about working on new platforms is that there is a great deal of excitement. You know, these things - they're brand new. They're trying to figure it out. And so if you're a show that they're supporting, they're going to put a tremendous amount of energy behind you. They're open to new ideas, new ways of promoting a show, and I think that feels really exciting, because network TV sort of feels like a formula. They give you a couple of weeks, and if it works, it works, and if it doesn't, you're most likely going to get cancelled.
And when I say that is certainly true, that our marriage is over. I know what else she will say: "Then you must save it." And even though I know it's hopeless- there's absolutely nothing left to save-I'm afraid if I tell her that, she'll still persuade me to try.
I would suggest that a Green Real Deal is something to be far more excited about than the Green New Deal because the Green New Deal will never happen.
Revolutions are spiritual acts. They appear first in people, then in politics and the economy. New people form new structures. The transformation we want is first of all spiritual; that will necessarily change the way things are.
My mother never talked about sex. I was on the Dr. Ruth [ Westheimer] show once - this is years and years and years ago - and it was her Mother's Day show. And I didn't know what we were going to talk about but what she decided we were going to talk about was female masturbation. My mother had invited all her girlfriends. And you know these were all women in their late seventy's maybe they were in their eighty's by then and then and they were horrified because Dr Ruth had a little she had a little chart up you know "female masturbation".
He leaned her back against the tub, setting her head on the edge, then washed her shoulders. "I know I left you once." She opened her mouth, wanting to say it didn't matter, it was forgotten. But it wasn't. "I know I hurt you." Again, she wanted to argue. But she couldn't. "I know I said I won't leave you again, but I also know that's not enough, and that the only way you're going to trust that I won't leave is if I don't". He slid the cloth over her arms. "If this ends, Hope, it won't be me that ends it. I think you know that.
We have to identify everybody that's here, and there's going to be an appropriate discussion in Congress on how to deal with an individual who has been here maybe for some long period of time. Amnesty is not on the table period. There will be no amnesty in the United States. We're a country of law and the idea that we're going to tell people that somehow or another that that's all forgiven is not going to happen. How we deal with them is a conversation. I don't know if I know all the answers. I want to talk to the American people.
Well we didn't look at it like that. We looked at it: "Why Carolyn Maloney?" Of course, we didn't know about Caroline Kennedy, but we do know and have - this is not against somebody, this is for somebody who we know has had a proven record. It's 16 years in the House, 10 years on the City Council of New York City, that she has shown her determination to pass legislation. She is - she knows how a legislature works.
Since FDR's New Deal, corporations and wealthy families have been non-stop finding new ways to get tax breaks, deregulation and entitlements from the government.
As soon as she gets her divorce one of us is going to marry her. We don't know which. She is about as beautiful a woman as I ever saw, and very witty and well-informed, but it would cost a good deal to keep her in diamonds.
My mom is from Jamaica and she was going to school in the morning, and in the evening she was working, and at night she would go to night school and then come in and go to sleep. So she would never watch the news and stuff like that and she didn't know what crack was. She didn't know nothing about it, but when I told her I was selling crack, she threatened to kick me out of the house. And then I just started paying for stuff - paying her bills and giving her money, so she'd just tell me to be careful because there was nothing she could do to stop it.
I started to write songs. And I started to like what I was writing. I think it's a new way for me to express things that are closer to myself than when I play a role, because, of course, it's really not me. I'm finding a new way. I don't know what it's going to be. But I know that I will need to give it to people one day.
I think she is confused by the way I want her, which is like nobody else. I know this deep down. I want her in a new way, a way she's never been told about.
In terms of legacy, I'm not sure that I see some great historic deposit there, as a result of her passing our way. She heightened the sense of social conscience in the New Deal generally. To her great credit, she was early on the side of the blacks in their fight for civil rights. She had a tendency to participate, which easily oozed over into meddlesomeness.
One of the most unfortunate things I see when identifying youth players is the girl who is told over the years how great she is. By the time she's a high school freshman, she starts to believe it. By her senior year, she's fizzled out. Then there's her counterpart: the girl waiting in the wings who quietly and with determination decides she's going to make something of herself. Invariably, this humble, hardworking girl is the one who becomes the real player.
How do you make a girl know she's beautiful? What is the system for that, what do you show her, how do you give her a new set of eyes and turn her face back to the mirror?
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