A Quote by Eugene O'Neill
I spent a year in Professor Baker's famous class at Harvard. There, too, I learned some things that were useful to me-particularly what not to do. Not to take ten lines, for instance, to say something that can be said in one line.
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I was promoted associate professor in early 1970 and full professor in October of the same year. I spent the two spring semesters of 1972 and 1974 as visiting professor at Harvard University, giving lectures and directing a research project.
A professor was telling students about his colleagues class. Students in the other class had taken to tossing erasers at the clock. Each precise hit caused it to jump ahead one minute. Before class one morning they succeeded in advancing the clock by ten minutes. Since the new time indicated that the professor was beyond the accepted starting time, the class left. The professor never said a word about the incident. However, he presented the class with a killer of a final exam. As the students labored to finish in the allotted time, the professor amused himself by tossing erasers at the clock.
During that year at Harvard learning with Carl Steinitz, I had the feeling that I was drinking knowledge out of a fire hose. I learned more in that year than I had learned in the previous ten years of my education.
I just feel like there's something to be said about feeling comfortable with what you have and don't have. And - for instance, I don't think I'm particularly a great singer, but I feel like I write songs that complement my voice, you know, and I feel like it's unique. And I don't feel like I'm particularly a great actor, for instance, but I feel like I approach each thing that I do with some level of sensitivity. And I would say that comedy in general is the most disarming.
I was a mere 29-year-old instructor at Kyoto, enjoying daily research work with some young students. Nothing had prepared me to be a professor at a major national university. Being too young and inexperienced to be a Full Professor, I was first appointed Associate Professor of Chemistry.
Basketball wasn't going particularly well, but in my senior year, I did a play and got a wonderful card from a professor that said, 'I don't know what your plans are after school or if acting is a part of it, but you have something special.' Hearing that from someone who I had so much respect for pointed me in that direction.
A year after I'd graduated college, I went to a weeklong conference intensive in Boston, and that's when things kicked into high gear. My workshop leader was a Harvard professor and editor. At the end of the week we met one-on-one over breakfast, and she said, in essence, "Look, you're ready to turn pro." She gave me a list of literary agents to query once I had something to show them. I came home and wrote my first real novel, and the agent that sold it to Tor Books was on that list.
The best way to honor someone who has said something smart and useful is to say something back that is smart and useful. The other way to honor them is to go do something with what you learned.
A single swallow, it is said, devours ten millions of insects every year. The supplying of these insects I take to be a signal instance of the Creator's bounty in providing for the lives of His creatures.
I was in the same class as Mark Zuckerberg at Harvard. So we really experienced Facebook in a unique way. It launched our sophomore year, and we were also the first class where it became a recruiting tool.
One of my first experiences with the space program was with the memorial that was built for the Challenger. When I was in 7th grade my entire class spent the entire school year preparing to launch a spaceship all together. We all had our different jobs that we had to learn how to do, we learned the math that you needed, we learned the practical skills that you needed, and I thought that was really cool. So I think that if you can take a tragedy and find the gold in it and turn it into something positive, that's great.
I learned to ride a ten-speed when I was 4 or 5. My uncle gave me the bike, hand-me-down, and everyone used to stare at me riding up and down this block. I was too short to reach the pedals, so I put my legs through the V of the frame. I was famous. The little kid who could ride the ten-speed.
Some people just don't want to put in the effort. I just show up and say some lines and I'm famous. Anyone living below the poverty line just needs to shape up or be shipped out, you know?
Full House was a show that was done for ten-year-olds. The critics hated it. They said terrible, terrible things about it. But it should have been reviewed by ten-year-olds. That's who it was made for. They loved it. And if they loved it, great. Why the hell does a fifty-year-old guy working at a big newspaper have to tell me I'm a piece of crap?
I remembered getting the script for the auditions [of Aladdin], I had asked someone there if improvs were allowed, and he said everyone is sticking to the script. I said to myself that they are either going to love me or hate me. I was crossing out lines and throwing in my own lines. I went into the room and started doing things. They were like, "This boy is nuts! We should keep him." That's how it all came about.
I get really worried, like if they say, 'Take vocal lessons,' or something because it's kind of like I used to really love to draw when I was a kid and then I took like an art class - because everyone said, 'Oh, you're so good, you should take a class and maybe you can be really good,' and then I went to the class and then they showed me how to use a ruler and perspective and all this stuff and it totally made me not want to do it at all.
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