A Quote by Eugene Ormandy

I'm conducting slowly because I don't know the tempo. — © Eugene Ormandy
I'm conducting slowly because I don't know the tempo.
I have to think in terms of musical tempo. Let's say someone comes into a room and slowly sits down or someone rushes into the room and rushes to sit down. That's how to work out the tempo of the music you produce.
In times when the tempo for struggle is not very high, you prepare populations by conducting acts of courage-building, confidence-building, respect for each other. That's what the preparation is about and it requires leadership.
People know me for up-tempo songs because of my hits.
I had no interest or intention of ever writing music. I was a professional violinist in my 20s. I was obsessed with conducting, and I was conducting as much as I could, and I was studying as much as I could. I went to USC; I got an undergrad degree in violin and a master's degree in conducting.
Up-tempo or slow tempo, I don't feel that one is better than the other.
The art of conducting consists in knowing when to stop conducting to let the orchestra play.
If you were on the surface of Venus, assuming you could see the Sun, which, you know, would be hard because it's so cloudy there, but the Sun would actually rise in the west and set in the east. And, it would do so very, very slowly, because the planet rotates incredibly slowly.
I'm a really new artist here. I would say that my style is an artist who can dance and sing. That's why my album is really upbeat. Maybe we will try slowly to do ballads or middle tempo songs.
Dalai Lama is transforming those criteria - and the whole way of conducting politics. He's conducting politics in a much deeper way than most politicians are able to. He's the only politician I know of who's a monk. The Pope, of course, is in a similar position, but the Pope isn't in the same way leading a country of many million people.
If you make a suggestion and [musicians] don't know what you mean, you have to be able to do it yourself. I often sit down on drums and show 'em just exactly what I want. And I do it and then say, "How do you do that?" It's because I know how it looks, I know what I want to hear, and I don't drop or rush any tempo. It ain't in my body, it ain't in my nephew's body.
My first novel was turned down by about twenty publishers over a period of two and a half years. Because my name is Irish and would not be familiar to English editors, one of them said: 'If she writes anything else, do let us know.' Slowly, very slowly, the books began to sell and be noticed.
and, unlike the celebrated herd in the poem, they were not forty children conducting themselves as one, but every child was conducting itself like forty.
I read slowly, I watch movies slowly, because I retain everything.
The Nike joint 'Classic' with Kanye, Nas, KRS-One, that was a remix - Rick Rubin did the original, and his was a double-time tempo; mine was a regular boom-bap tempo, and they liked it so much that we ended up doing the video to it.
I get asked all the time, "What is a George Strait song?" I know it when I hear it. I don't seek a specific tempo or lyric or melody. It just has to make sense. Maybe it is natural because I was given the gift to sing.
It is true [the risk for travel is greater] for we now operate in a global market. Business travelers are conducting business all over the world as if they are conducting business in their own backyards.
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