A Quote by Eugene Ormandy

It has no rhythm, but it will because it's so much faster. — © Eugene Ormandy
It has no rhythm, but it will because it's so much faster.
The first day's always the hardest, because it moves so much faster than a film does and once you get into that rhythm, though, you feel like you've accomplished so much in such a short period of time, so there a bit of comfort in that. You just have to find your rhythm.
Writing is so much about rhythm. If you've got another rhythm in the room, it spoils the rhythm of the words.
People like to imagine that because all our mechanical equipment moves so much faster, that we are thinking faster, too.
The world is moving faster and faster, but where are we going?I think one of the reasons why things are getting blurry is because there is not much meaning.
Criticism of growth arose with the discovery that growth beyond a certain point is destructive of the earth. We are already using resources much faster than they can be replenished. We are producing wastes much faster than nature's sinks can process them. The growth economy will end. The only questions are when its end will come, and whether humanity will be able to survive its demise.
I'm very much aware in the writing of dialogue, or even in the narrative too, of a rhythm. There has to be a rhythm with it … Interviewers have said, you like jazz, don’t you? Because we can hear it in your writing. And I thought that was a compliment.
From the get-go, I was wise enough to say, 'Well, I'm playing rhythm 'cause Angus could really soar with the leads.' I used to mess around a little bit with lead at the time but not much; Angus, he was just so much better; he just went for it, and it was brilliant. My place was sitting with rhythm, and I love rhythm. I've always loved it.
And when the universe has finished exploding all the stars will slow down, like a ball that has been thrown into the air, and they will come to a halt and they will all begin to fall towards the centre of the universe again. And then there will be nothing to stop us seeing all the stars in the world because they will all be moving towards us, gradually faster and faster, and we will know that the world is going to end soon because when we look up into the sky at night there will be no darkness, just the blazing light of billions and billions of stars, all falling.
Where I come from we say that rhythm is the soul of life, because the whole universe revolves around rhythm, and when we get out of rhythm, that’s when we get into trouble.
I see only one requirement you have to have to be a director or any kind of artist: rhythm. Rhythm, for me, is everything. Without rhythm, there's no music. Without rhythm, there's no cinema. Without rhythm, there's no architecture.
The rhythm is below me, the rhythm of the heat. The rhythm is around me, the rhythm has control. The rhythm is inside me, the rhythm has my soul.
Most people think it's the other way around: that time is going faster and we're doing less. But really time seems to be going faster because we're cramming so much into it.
As a director, the biggest job is to discern the imperfections in emotional tone and then view it in the global picture of what you're trying to do, if that makes sense. It's a rhythm, like music is a rhythm or composition and art is a rhythm. Dialogue is a rhythm as well.
One could always do more, faster and cleverer, but democracy has its own rhythm.
I set my own rhythm, and I do believe it was usually a little faster than most other people's.
You have a divine right to choose whom you will play with and under what circumstances. By eliminating any energy drag, the positive good things in your life will resonate faster and faster.
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