A Quote by Eugenio Derbez
Executives in Hollywood are missing a lot because they don't want to watch other cultures.
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I like to consider that I have a good insight into other cultures because I grew up with my parents having different views on things. It makes traveling a lot easier, I do enjoy other cultures.
In acting you do a lot of research. Audience watch Jet Li because of the fight. They watch other actors because they are funny. If they want funny, they don't want to see Jet Li, they watch the other guy. That's the reality I face, until the one day I can prove I can make film without action that is a fun movie. Then everybody will say Jet Li, hmmm.
The reason that there is a lapsed fan is because the wrestling that people want to see isn't out there, and it isn't just one thing they are missing it is a lot of things that they are missing.
On the Web you have to sum up what your piece of content is in one link or nobody is going to watch it. That's the same thing I've been hearing from TV executives - is we need a program that you can have on the side of a bus and someone can watch it go by and get what the show is and want to watch it.
The Hollywood executives are, like, ‘We’re not racist, we just have to pretend to be racists because we’re capitalists. We want to sell our movies in China (and) they don’t like Kevin Hart.’
I travel to a lot of schools, and I see firsthand that while we do still have a lot of traditional readers, we don't have as many as we used to. And we're missing an awful lot of kids entirely... Do I want to get rid of the Internet? Obviously, I don't want that because of all the amazing things it brings.
I don't watch a lot of other people's parodies because I don't want to be unduly influenced.
I have two little kids and I enjoy watching movies with them, and I can't watch every movie with them. Sometimes it's because it's obviously not appropriate to watch The Bourne Identity with your kids, but a lot of times it's because it's torture to watch the movies that they want to watch, as a parent.
I didn't go Hollywood on the outside with flashy cars, upstairs maids and mink covered bathroom fixtures. I went Hollywood on the inside and that's worst of all. I tried to avoid being natural. I lowered my voice. I copied the mannerisms of other stars. I struck poses. I received bad advice - from dramatic coaches, from agents, and from studio executives. I stopped being a human being. I blame myself and I blame Hollywood's star system.
I got a good handshake. A lot of executives tell me I have the best handshake in Hollywood.
I'm not interested in making all-black films - I come from a very diverse culture; I want to work with every type of person. I work a lot with women executives because they seem to be a lot more open minded about that and a lot more progressive in that way.
I'm not interested in making all-black films - I come from a very diverse culture, I want to work with every type of person. I work a lot with women executives because they seem to be a lot more open minded about that and a lot more progressive in that way.
There's a trend in Hollywood at the moment where studio executives are coming from more of a marketing background, and that is challenging. I think one of the problems of marketing executives is that they don't understand how films get made and they're a bit nervous. And that is not the most efficient way to be a studio executive.
A lot of indigenous cultures are deeply involved in working with ancestor spirits, elemental spirits, and demons. Many of these cultures feel that, if you don't deal properly with ancestor spirits, then they come back and infest the living in the form of things like depression, addictive patterns, and neuroses. We in the modern West completely deny the existence of these spirits or other types of entities. And because we've denied them, we may have opened the gates for them to manipulate us in a lot of ways.
[A]t the beginning of November 2001, there was a series of meetings between White House advisers and senior Hollywood executives with the aim of co-ordinating the war effort and establishing how Hollywood could help in the "war against terrorism" by getting the right ideological message across not only to Americans, but also to the Hollywood public around the globe the ultimate empirical proof that Hollywood does in fact function as an "ideological state apparatus.
A lot of issues that we have in the world today rise from the fact that we do not know enough about each other's cultures, that we don't respect each other's origins and there is so much negativity and strife around because we don't know where the other person is coming from.
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