A Quote by Eugenio Montale

Happiness, for you we walk on a knife edge. To the eyes you are a flickering light, to the feet, thin ice that cracks; and so may no one touch you who loves you. — © Eugenio Montale
Happiness, for you we walk on a knife edge. To the eyes you are a flickering light, to the feet, thin ice that cracks; and so may no one touch you who loves you.
Living in the modern age, death for virtue is the wage. So it seems in darker hours. Evil wins, kindness cowers. Ruled by violence and vice we all stand upon thin ice. Are we brave or are we mice, here upon such thin, thin ice? Dare we linger, dare we skate? Dare we laugh or celebrate, knowing we may strain the ice? Preserve the ice at any price?
With faith . . . we must walk to the edge of the light and into the darkness. As we so walk I testify and promise that the light will move. When I was your age and wondering some of the exact same things that you are now wondering, I never would have imagined that someday [we] would be at Ricks College serving as we are. . . . I know the light moves as we walk in faith to the edge of the light.
There is a paradise of form and colors in the world. And because you have eyes still in good condition, you can get in touch with the paradise. So when I become aware of my eyes, I touch one of the conditions of happiness. And when I touch it, happiness comes.
Walk and touch peace every moment. Walk and touch happiness every moment. Each step brings a fresh breeze. Each step makes a flower bloom. Kiss the Earth with your feet. Bring the Earth your love and happiness. The Earth will be safe when we feel safe in ourselves.
I think reality is thin, you know, thin as lake ice after a thaw, and we fill our lives with noise and light and motion to hide that thinness from ourselves.
People usually consider walking on water or in thin air a miracle. But I think the real miracle is not to walk either on water or in thin air, but to walk on earth. Every day we are engaged in a miracle which we don't even recognize: a blue sky, white clouds, green leaves, the black, curious eyes of a child -- our own two eyes. All is a miracle.
The path of the seeker is full of pitfalls and temptations, and the seeker must walk it alone with God. I would recommend that you keep your feet on the ground and your thoughts at lofty heights, so that you may attract only good. Concentrate on giving so that you may open yourself to receiving; concentrate on living according to the light you have so that you may open yourself to more light; get as much light as possible through the inner way.
What interests me about fiction is, in part, its flickering edge between realism and where a tear in the fabric of a story lets in some other sort of light.
In your eyes the light the heat in your eyes I am complete in your eyes I see the doorway to a thousand churches in your eyes the resolution of all the fruitless searches in your eyes I see the light and the heat in your eyes oh, I want to be that complete I want to touch the light, the heat I see in your eyes
The speckled sky is dim with snow, The light flakes falter and fall slow; Athwart the hill-top, rapt and pale, Silently drops a silvery veil; And all the valley is shut in By flickering curtains gray and thin.
God requires his servants to walk in the light, and not cover their eyes that they may not discern the working of Satan.
Who hasn't sharpened the edge of his soul? When, just as our eyes are opened, we see hate, and just after learning to walk, we are tripped, and just for wanting to love, we are hated, and for no more than touching, we are hurt, which of us hasn't started to arm himself, to make himself sharp, somehow, like a knife, to pay back the hurt?
Light on my heart, Light on my feet, Light in your eyes, I can't even speak Do you even know, How you make me weak
The feet of the humblest may walk in the field Where the feet of the Holiest trod, This, then, is the marvel to mortals revealed.
You must learn to walk to the edge of the light, and then a few steps into the darkness; then the light will appear and show the way before you.
Walking along past the store windows, into which she peers with her usual eagerness, her usual sense that maybe, today, she will discover behind them something that will truly be worth seeing, she feels as if her feet are not on cement at all but on ice. The blade of the skate floats, she knows, on a thin film of water, which it melts by pressure and which freezes behind it. This is the freedom of the present tense, this sliding edge.
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