A Quote by Eugenio Montale

Strangely, Dante's Divine Comedy did not produce a prose of that creative height or it did so after centuries. — © Eugenio Montale
Strangely, Dante's Divine Comedy did not produce a prose of that creative height or it did so after centuries.
Dante Alighieri was not only a Christian poet or a priest, he was a man. He was a real poet. We can understand that the goal of Divine Comedy is beauty. You don't need also to understand Italian or to know Italian, because when Dante's writing, when we recite Dante out loud, it explodes a cosmos of illumination like to recite music, a symphony.
Did you measure to attain your height? Did you use geometry to radiate your limb? Did you lament storm-torn branches? Did you inventory your leaves for the sun? You did none of these things, yet man in his cleverness Cannot match your perfection.
If Dante was writing The Divine Comedy in 2013, he might very well have set part of it in the suburbs.
Dante would not have forgotten: they say that when Dante was a boy, he was asked: Dante what is the best food? to test his memory. Eggs, replied Dante. Years later, when Dante was a grown man, he was asked only: how? and Dante replied: fried.
When people say, 'How did you start in comedy,' I say my family was kidnapped by ninjas when I was very young, and to get them released I had to do a killer five-minute set. And even after I did that, you know, I started doing comedy under tough circumstances, I still kept at it because I enjoyed it.
[Frank Sinatra] was an incredible artist, the best at what he did, but it never occurred to me to model my career after what he did. There was no one I modeled my career after because there was no one else who did what I did.
I did a lot of theatre when I started out. It was the Lyceum, the Citz, the Tron and the Traverse. I came to London and did the Royal Court, the National, 'King Lear' at the Manchester Royal Exchange. I did little bits of comedy, like 'Rab C Nesbitt,' but I wasn't predominantly about comedy.
A great model for this is the way that Dante calls on Virgil at the beginning of 'The Inferno,' 'The Divine Comedy,' to help guide him through the underworld.
I think the best kind of comedy is the least self conscious. I think if you just sort of let the comedy happen without the elbow nudge, did you get it, did you get it. I love straight face comedy or subtle - relatively subtle comedy.
I believe in the future a new Dante will write a new Divine Comedy.
I knew when I did get a consistent run that I could go from height to height.
The moment for me, thinking I might actually want to do comedy professionally, was when I did public speaking at school. I found out I was good at getting up in front of class. In the fifth grade, I did a speech on comedy.
After I did my graduation in mechanical engineering, I got a scholarship to go to the U.S. to do my master's. So I did that. I also worked there for a while. After my master's, I did a course in Film Appreciation.
I did the Daily Show, and then I did Air America Radio, and I realized that I was lucky enough to have a job where I could get information to people. But those spaces weren't appropriate to then tell people what to do - they were corporate enterprises. My main job was to be funny, so I was trying to figure out, how can I combine all the things I love - comedy, feminism, calling out bullshit - into a creative space that other creative people would want to join in and help out?
Music endures and ages far better than books. Books, made of words, are unavoidably attached to ideas, events, conflict, and history, but music has the power to transcend time. At least for a time. Palestrina sounds as fresh today as he did in 1555, but Dante, only three centuries older, already smells of the archaic, the medieval, the catacombs.
After all, Ginger Rogers did everything that Fred Astaire did. She just did it backwards and in high heels.
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