A Quote by Eugenio Montale

The poet does not know - often he will never know - whom he really writes for. — © Eugenio Montale
The poet does not know - often he will never know - whom he really writes for.
On Elsewhere we fool ourselves into thinking we know what will be just because we know the amount of time we have left. We know this, but we never really know what will be. We never know what will happen.
I don't believe a good poet is very often deliberately obscure. A poet writes in a way necessary to him or her; the reader may then find the poem difficult.
An English poet writes, I think, just for people who are interested in poetry. An American poet writes, and feels that everyone ought to appreciate this. Then he has a deep sense of grievance . . .
Happy is he who looks only into his work to know if it will succeed, never into the times or the public opinion; and who writes from the love of imparting certain thoughts and not from the necessity of sale - who writes always to the unknown friend.
Women who are to some extent resistant, whom one cannot possess at once, whom one does not even know at first whether one will ever possess, are the only interesting ones.
You have to know how to co-operate with other people if you want to stay alive and raise children. And to do that, you need to know something about them. You need to know who loves whom, who hates whom, who is sleeping with whom. Who is honest, who is a cheat.
why do you condemn a man whom you have never met, whom no one knows and about whom even you yourself know nothing?
I got out of Iowa all set to be a poet and a novelist, but you know what? It's really tough to make a living as a poet.
The old adage which says that it is ‘whom you know that counts’ is far off the mark. It is what you know about whom you know that truly makes difference.
When will talkers refrain from evil speaking? When listeners refrain from evil hearing. At present there are many so credulous of evil, they will receive suspicions and impressions against persons whom they don't know, from a person whom they do know--an authority good for nothing.
A FRIEND IS A PERSON . . . With whom you can be sincere. . . . To whom you never need to defend yourself. . . . On whom you can depend whether present or absent. . . . With whom you never need pretend. . . . To whom you can reveal yourself without fear of betrayal. . . . Who does not feel she owns you because you are her friend. . . . Who will not selfishly use you because she has your confidence. I WOULD HAVE SUCH A FRIEND. . . AND I WOULD BE SUCH A FRIEND. I DO HAVE SUCH A FRIEND!
There is nothing more frightening than the faces of people whom one does not know but who seem to know one, and be amused by one.
The hat is not for the street: it will never be democratized. But there are certain houses that one cannot enter without a hat. And one must always wear a hat when lunching with people whom one does not know well. One appears to one's best advantage.
It has often struck me that the relation of two important members of the social body to one another has never been sufficiently considered, or treated of, so far as I know, either by the philosopher or the poet.
You know that the nucleus of a time is not The poet but the poem, the growth of the mind Of the world, the heroic effort to live expressed As victory. The poet does not speak in ruins Nor stand there making orotund consolations. He shares the confusions of intelligence.
I don't know why one author writes westerns while another writes detective novels. You don't know why. You go where the intensity is. I feel most comfortable writing about monsters. It's possible that I feel like a monster myself. Or maybe it's because we all have a monster inside of us, a vampire, a ghost, a witch or a werewolf. You do it because it works and it feels really right and authentic.
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