A Quote by Eula Biss
When I was researching the Victorian anti-vaccination movement, those activists often used a vampire as a metaphor for the vaccinator.
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In the case of Pakistan, the CIA actually used a fake vaccination campaign to try to locate Osama bin Laden, so now vaccination is associated with espionage.
The vampire movies I embraced as a kid used vampirism as a metaphor that expressed deep sadness and a lot of human qualities.
In every capitalist economy there are anti-capitalist movements, activists, and even political parties; in a way, that there are no longer anti-democratic movements, activists, and parties.
Activists take the risks, while advocates are professional tinkerers with the system. What's necessary is for those who are advocates to support those who are activists and to envision themselves as activists.
Typically, we see an upsurge in anti-abortion violence . . . when the anti-abortion movement kind of thinks it was on the verge of victory, and then finds itself somehow thwarted. . . . When there’s frustration among the anti-abortion forces, violence often results.
Madurai is a city with a long political history. It was at the centre of the anti-Brahmin movement, the anti-Hindi movement, the Dravidian movement, and was a pro-LTTE city. Yet, this city has elected me, the very antithesis of all these movements.
To solve the new century's mounting social and environmental problems, people of color activist and white activists need to be able to join forces. But all too often, the unconscious racism of white activists stands in the way of any effective, worthwhile collaboration. The Challenging White Supremacy Workshop is the most powerful tool that I have seen for removing the barriers to true partnerships between people of color and white folks. If the CWS trainings were mandatory for all white activists, the progressive movement in the United States would be unstoppable.
'District 9' was a singular anti-Apartheid metaphor, and 'Elysium' is a more general metaphor about immigration and how the First World and Third World meet. But the thing that I like the most about the metaphor is that it can be scaled to suit almost any scenario.
The facts of nature are what they are, but we can only view them through the spectacles of our mind. Our mind works largely by metaphor and comparison, not always (or often) by relentless logic. When we are caught in conceptual traps, the best exit is often a change in metaphor not because the new guideline will be truer to nature (for neither the old nor the new metaphor lies "out there" in the woods), but because we need a shift to more fruitful perspectives, and metaphor is often the best agent of conceptual transition.
In some ways, [the student anti-sweatshop movement] is like the anti-apartheid movement, except that in this case its striking at the core of the relations of exploitation. Much of this was initiated by Charlie Kernaghan of the Institute for Global Labour and Human Rights.
Over the years, my marks on paper have landed me in all sorts of courts and controversies - I have been comprehensively labelled; anti-this and anti-that, anti-social, anti-football, anti-woman, anti-gay, anti-Semitic, anti-science, anti-republican, anti-American, anti-Australian - to recall just an armful of the antis.
The argument of those who are being criticized at any time, the civil rights movement forward, the anti-war movement forward, is, it's always outside agitators doing it.
Today, however, anti-vaccine activists go out of their way to claim that they are not anti-vaccine; they’re pro-vaccine. They just want vaccines to be safer. This is a much softer, less radical, more tolerable message, allowing them greater access to the media. However, because anti-vaccine activists today define safe as free from side effects such as autism, learning disabilities, attention deficit disorder, multiple sclerosis, diabetes, strokes, heart attacks, and blood clots—conditions that aren’t caused by vaccines—safer vaccines, using their definition, can never be made.
I used to be very fascinated by Victorian stuff, and my best-known books, the 'Mortal Engines' series, have a sort of retro, Victorian vibe, despite being set in the far future.
I used to be very fascinated by Victorian stuff, and my best known books, the Mortal Engines series, have a sort of retro, Victorian vibe, despite being set in the far future.
The vampire is an outsider. He's the perfect metaphor for those things. He's someone who looks human and sounds human, but is not human, so he's always on the margins.
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