A Quote by Euripides
For the good, when praised, feel something of disgust, if to excess commended.
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Everyone should be praised by the lips of his neighbor, and not by his own mouth. Everyone should be commended by the work he has done, not by what he wanted to do.
For the past thirty years or so, much American poetry has been marked by an earnestness that rejects the comic. This has nothing to do with seriousness. The comic can be very serious. The trouble with the earnest is that it seeks to be commended. It seeks to be praised for its intention more than for what it is saying.
We must not feel a childish disgust at the investigations of the meaner animals. For there is something marvelous in all natural things.
My advice to girls: first, don't smoke - to excess; second, don't drink - to excess; third, don't marry - to excess.
I would imagine, a very large percentage of people who get something for art and they do something else, and they have some excess resources. And they trade those resources with artists whose work makes them feel good, or feel better, or question. And the artist, if they're smart, they use it to buy the most expensive thing in the world: time to make more. The more that come, the better it is for these people, their children, the people they care about, fills the society with a real constant thing.
I believe in one thing: that anyone who is able to do something good for someone, I mean, should be praised.
Is not the action of nature like the stretching of a bow? The high, it pulls down; the low, it lifts up; It takes from what is in excess In order to make good of what is deficient. Who can take what they have in excess and offer it to others?
We live in a time of excess - excess population, excess information.
I think for me, the thing that gets me in the right mindset is just watching something funny, something light, something that makes me feel good. Regardless of what it is - when you feel good, when you feel upbeat, creativity flows!
I have neither curiosity, interest, pain nor pleasure, in anything, good or evil, they can say of me. I feel only a slight disgust, and a sort of wonder that they presume to write my name.
I have great admiration for power, a great terror of weakness, especially in my own sex, yet feel that my love is for those who overcome the mental and moral suffering and temptation through excess of tenderness rather than through excess of strength.
I'm of those who believe that excesses in all matters are not a good idea, whether it's formation of bubbles, whether it's excess in the financial market, whether it's excess of inequality, it has to be watched, it has to be measured, and it has to be anticipated in terms of consequences.
Saul Bellow says, funny enough, what French think of your work is tremendously important. And it is. It's more than what the Italians, the Spanish, and the Germans think. Somehow it's still got that cultural primacy. I feel that too: to get praised in France is better than to get praised anywhere else.
You have to feel good in what you're wearing; if you don't feel good it's not going to look good. You ever see someone wear something that's crazy and say, 'That's so crazy!' But they look good in it, because they feel good in it - you can just tell.
Some people are commended for a giddy kind of good-humor, which is as much a virtue as drunkenness.
In writing, as in life, faults are endured without disgust when they are associated with transcendent merit, and may be sometimes recommended to weak judgments by the lustre which they obtain from their union with excellence; but it is the business of those who presume to superintend the taste or morals of mankind to separate delusive combinations, and distinguish that which may be praised from that which can only be excused.
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