A Quote by Euripides

Mighty is geometry; joined with art, resistless. — © Euripides
Mighty is geometry; joined with art, resistless.

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Human feeling is like the mighty rivers that bless the earth: it does not wait for beauty — it flows with resistless force and brings beauty with it.
All the performances of human art, at which we look with praise or wonder, are instances of the resistless force of perseverance.
The concept of congruence in Euclidean geometry is not exactly the same as that in non-Euclidean geometry. ..."Congruent" means in Euclidean geometry the same as "determining parallelism," a meaning which it does not have in non-Euclidean geometry.
A proposition of geometry does not compete with life; and a proposition of geometry is a fair and luminous parallel for a work of art. Both are reasonable, both untrue to the crude fact; both inhere in nature, neither represents it.
Analytical geometry has never existed. There are only people who do linear geometry badly, by taking coordinates, and they call this analytical geometry. Out with them!
Metrical geometry is thus a part of descriptive geometry, and descriptive geometry is all geometry.
Descartes constructed as noble a road of science, from the point at which he found geometry to that to which he carried it, as Newton himself did after him. ... He carried this spirit of geometry and invention into optics, which under him became a completely new art.
The purely formal language of geometry describes adequately the reality of space. We might say, in this sense, that geometry is successful magic. I should like to state a converse: is not all magic, to the extent that it is successful, geometry?
I come from a small village called Murud Janjira near Alibaug. I started doing theatre right from school days and later joined the Sir J. J. Institute of Applied Art, after which I joined an advertising agency.
It may be no less dangerous to claim, on certain occasions, too little than too much. There is something captivating in spirit and intrepidity, to which we often yield as to a resistless power; nor can we often yield as to a resistless power; nor can he reasonably expect the confidence of others who too apparently distrusts himself.
In fact, Gentlemen, no geometry without arithmetic, no mechanics without geometry... you cannot count upon success, if your mind is not sufficiently exercised on the forms and demonstrations of geometry, on the theories and calculations of arithmetic ... In a word, the theory of proportions is for industrial teaching, what algebra is for the most elevated mathematical teaching.
Nature is mighty. Art is mighty. Artifice is weak. For nature is the work of a mightier power than man. Art is the work of man under the guidance and inspiration of a mightier power. Artifice is the work of mere man, in the imbecility of his mimic understanding.
Geometry enlightens the intellect and sets one's mind right. All of its proofs are very clear and orderly. It is hardly possible for errors to enter into geometrical reasoning, because it is well arranged and orderly. Thus, the mind that constantly applies itself to geometry is not likely to fall into error. In this convenient way, the person who knows geometry acquires intelligence.
Geometry is to the plastic arts what grammar is to the art of the writer.
Geometry is moribund. I want a lilt and joy to art.
Geometry is the art of correct reasoning from incorrectly drawn figures.
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