A Quote by Euripides

When two souls compose a single song, The muse fans Livid wrath before long. — © Euripides
When two souls compose a single song, The muse fans Livid wrath before long.
I wrote 'Lights' a long, long time ago. And I expected it to be on the album, because it was - I wrote it with 'Biff' Stannard. And he wrote every single Spice Girls song and every single pop song of the 90s, basically. So I thought, you know, I was really lucky to work with him, but I didn't think it would be a big song for some reason.
It's not like that when you're a songwriter - songwriters aren't like pulp writers or journalists, even. You just follow the muse. It's called muse-ic. Whenever the muse decides to bestow her inspiration on the songwriter, then the song is born.
What you compose with is neither here nor there, you compose with words, or you compose with stone plants and trees, or you compose with events; the Sheriff's officer, or whatever.
I was Versace's muse, I was Valentino's muse, I was Alaia's muse, Lancetti's muse, Calvin Klein's, Halston's. I could go on and on.
The concept of muse is alien to me. To speak of a muse implies there is a couple in which one person is the objectified passive element - there to help the creative, active, often male part of the duo to create. A muse is very passive. Who wants a muse? I don't want a muse.
And your eyes must do some raining if you're ever gonna grow / When crying don't help, you can't compose yourself / It's best to compose a poem, an honest verse of longing / Or a simple song of hope.
You end up throwing a ton of energy into one or two tracks, and the song that we thought was gonna be the single isn't the single.
Rage - Goddess, sing the rage of Peleus' son Achilles, murderous, doomed, that cost the Achaeans countless losses, hurling down to the House of Death so many sturdy souls, great fighters' souls, but made their bodies carrion, feasts for the dogs and birds, and the will of Zeus was moving toward its end. Begin, Muse, when the two first broke and clashed, Agamemnon lord of men and brilliant Achilles.
The spirit of wrath - not the words - is the sin; and the spirit of wrath is cursing. We begin to swear before we can talk.
Wrath to come implies both the futurity and perpetuity of this wrath.... Yea, it is not only certainly future, but when it comes it will be abiding wrath, or wrath still coming. When millions of years and ages are past and gone, this will still be wrath to come. Ever coming as a river ever flowing.
WRATH, n. Anger of a superior quality and degree, appropriate to exalted characters and momentous occasions; as, "the wrath of God," "the day of wrath," etc. . . .
A lot of artists come into the game with a radio record, but they don't establish the fans as fans of their style of music. It's just that they're a fan of that song, and after that song plays out, it's real hard for 'em.
When we did the 'Titanic' theme, that song was everywhere. At the time we did it, it wasn't an old song. We didn't really listen to that song. We're not fans of the song. It was more about taking the song everyone knew and making it sound like a New Found Glory track.
It was around the end of the '60s, when I began to compose sonic meditations. Before that I was doing a lot of reflecting on myself, and listening to long tones.
The brave man uses wrath for his own act, above all in attack, 'for it is peculiar to wrath to pounce upon evil. Thus fortitude and wrath work directly upon each other.
I am mistaken if a single epigram included fails to preserve at least some faint thrill of the emotion through which it had to pass before the Muse's lips let it fall, with however exquisite deliberation.
This site uses cookies to ensure you get the best experience. More info...
Got it!