A Quote by Euripides
Mobs in their emotions are much like children, subject to the same tantrums and fits of fury.
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...I thought how I hate any kind of mob - I hate mobs of sports fans, mobs of environmental demonstrators, I even hate mobs of super-models, that's how much I hate mobs. I tell you, mankind is bearable only when you get him on his own.
Markets as well as mobs respond to human emotions; markets as well as mobs can be inflamed to their own destruction.
All of these riots around the globe are endangering the world. And mobs are always dangerous, destructive things that end society. Liberal policies promote mobs because liberals crawl on the mobs, the destruction wrought by the mobs to attain power. Tere's only one way to react to a mob to save civilized society, and that is to smash the mob. It is not to mollycoddle the mob.
What do you call an electorate that seems prone to acting out irrationally, is full of inchoate rage, and is constantly throwing fits and tantrums? You call it teenaged.
I think everyone's pretty much the same underneath. The collective unconscious is a real thing. There's only a few emotions, and we all have them. There's, like, seven emotions. So personal is universal. Everyone experiences confusion, joy and pain, just in different forms.
Parents who are cowed by temper tantrums and screaming defiance are only inviting more of the same. Young children become more cooperative with parents who confidently assert the reasons for their demands and enforce reasonable rules. Even if there are a few rough spots, relationships between parents and young children run more smoothly when the parent, rather than the child, is in control.
The Muslim Arbitration Tribunal, if you look at its website, it basically deals with commercial disputes, it's not allowed to deal with matters involving children, it's not allowed to deal with criminal matters, it's subject to judicial review, it's subject to the Human Rights Act, it's subject to the Children's Act, and it's completely proper and right that it should be subject to all those things.
Mobs and dictators were made for each other, and when mobs appear, dictators will soon flourish.
On 'Question Time,' I've noticed great anger from the audience. When we discuss Brexit, emotions range from white-hot fury to cold, grey apathy. As soon as we move off Brexit, debate is much more nuanced and considered.
I've tried never to be easily satisfied, and I've been painting like fury now for forty years.... I have a feeling. You paint about as far as your emotions go, and that's about it.
Like most men, Jimmy Jim was neither all good nor all bad. It is just that when he was bad, gentler people saw in him a disturbing fury. People, a lot them, don't understand fury. They understand anger and even hatred, but fury is one of those old words that have gone out of style. Jimmy Jim Bundrum understood it. It rode his shoulder like a parrot.
There has to be the popcorn genre element, or I don't engage the same way. I like action and vehicle design and guns and computer graphics as much as I like allegory. It's a constant balancing game. I want audiences to be on this rollercoaster that fits the Hollywood mould, but I also want them to absorb my observations.
In much the same way, motherhood has become the essential female experience, valued above all others: giving life is where it's at. Give birth in cities where accommodation is precarious, schools have surrendered the fight and children are subject to the most vicious mental assault through advertising, TV, internet, fizzy drink manufacturers and so on. Without children you will never be fulfilled as a woman, but bringing up kids in decent conditions is almost impossible.
On the one hand it is said that the aim and object of music is to excite emotions, i.e., pleasurable emotions; on the other hand, the emotions are said to be the subject matter which musical works are intended to illustrate. Both propositions are alike in this, that one is as false as the other.
The problem is that too many adults think their kids' lives are simple, or they try to make their lives simple, when their emotional lives are just as complicated as ours. They might have a few less tools to deal with it because they're young, but the emotions are all the same, and the subject matter is all the same.
Plays are literature: the word, the idea. Film is much more like the form in which we dream - in action and images (Television is furniture). I think a great play can only be a play. It fits the stage better than it fits the screen. Some stories insist on being film, can't be contained on stage. In the end, all writing serves to answer the same question: Why are we alive? And the form the question takes - play, film, novel - is dictated, I suppose, by whether its story is driven by character or place.
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