A Quote by Eva Green
I don't like flirting, and when I love someone, I always give everything, maybe too much. And then you have to work at it all the time. I mean, the first months are always great, but afterwards it becomes hard work. It's not as passionate and crazy.
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I have a pretty crazy work ethic, most people around me think it's a little off the charts, like I'm always working on something. The thing is, as hard as I work at what I do, I love it so much it really never feels like work at this point in my life.
It's always nice to have people love the things that you do. But it's a lot of hard work, and people are always passionate, if it's family fare or a drama, it's the same amount of work and people invest everything into that, and when it doesn't come out the way you want it to, of course it's hurtful.
I think if you want to become a great football player, professional, you must give all the time one hundred percent, you must work hard - to be lucky is a good thing - but if you work hard and you give everything you will have great success.
I work three months really hard, nonstop, and then I take a month off. Then I do it all over again. I work hard but I give myself four breaks a year.
The most important thing is that, when you work with somebody, you build a rapport with that person. They have a certain trust in you. You don't have to explain that much. It's very hard when you photograph someone who's a fresh face and then you don't work with them again for six months. All these people I work with over and over again have qualities that I love. There's something very free about them or there are some slight imperfections about them. I think the more you work with someone, the pictures get better and better.
A lot of times, people say that if you work hard and never give up, it will always work out, which is a great message. However, that's not always the case.
Just put football first, or your job first. Give everything you've got all week, work hard, work super-hard to take it to the next level every week. And when you feel like you got to the point where you want to be, you definitely need the time to go out, relax, have a good time, take all the stress off it.
There's always room. That's what the directors usually want. They want the performer to bring themselves and give what they have to give for the role. The smart ones allow that to happen because then it becomes even more organic within the performer's imagination. It becomes even more real. It's not always a given in other films, but when Gunn works, and we all work together in a collaborative way like that, it becomes a given that you bring it. It becomes a lot of fun.
For me, my work is pretty much a lot of my identity. I mean I live to work, basically. With money I'm able to earn I don't put into clothes especially or things like that. I use it as a way of buying time to work. That's how I see money for me. It represents time to be by myself working on these ideas. So in that sense, the work is kind of a surrogate religion, maybe not so surrogate, maybe it is part religion.
Love what you do. There's always going to be someone else who's smarter than you, but there's no substitute for passion. People who are passionate always work the hardest, and that sets them apart.
I have a really, really strong work ethic and I learned that from my dad because my dad was a workaholic but he always had even more time for us. As hard as he would work, he always made the time. So it's just about balancing family, I think, and work - and giving everything 100%. And that's what he taught me.
I always make sure I work hard every day and give everything in the game, in training, and off the pitch, too.
One can do a film and not work for six months, but on TV, you have to produce good content every week. It involves a lot of hard work, as one has to fight for ratings every week. But I have always got love from the audiences, be it during 'The Great Laughter Challenge' or 'Comedy Circus.'
I will always really work hard to write as much as I can, but I also love sitting back and waiting on those big Nashville songwriters to send me some great songs, too.
Working with someone who's really passionate about it is great, because you become passionate, and then it's fun; it's not work anymore.
Essentially I feel like all of that pressure when you're making the first of a franchise of [movies based on] books that mean so much to people that has so much attention on it, it can be quite paralyzing I think. I think a lot of that creeped in the first time around and it maybe affects the work.
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