A Quote by Eva Ibbotson
Pauline kept a scrapbook into which she pasted important articles that she had cut out of the newspapers. These were about the courageous deeds that had been done by people even if they only had one leg or couldn't see or had been dropped on their heads when they were babies. 'It's to make me brave,' she'd explained to Annika.
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She was unaware that she was somewhat of a celebrity up in heaven. I had told people about her, what she did, how she observed moments of silence up and down the city and wrote small individual prayers in her journal, and the story had travelled so quickly that women lined up to know she had found where they’d been killed. She had fans in heaven..... Meanwhile, for us, she was doing important work, work that most people on Earth were too frightened even too contemplate.
As she had been walking from the ward to that room, she had felt such pure hatred that now she had no more rancor left in her heart. She had finally allowed her negative feelings to surface, feelings that had been repressed for years in her soul. She had actually FELT them, and they were no longer necessary, they could leave.
although she went home that night feeling happier than she had ever been in her short life, she did not confuse the golf course party with a good party, and she did not tell herself she had a pleasant time. it had been, she felt, a dumb event preceded by excellent invitations. what frankie did that was unusual was to imagine herself in control. the drinks, the clothes, the instructions, the food (there had been none), the location, everything. she asked herself: if i were in charge, how could i have done it better?
She smiled. She knew she was dying. But it did not matter any longer. She had known something which no human words could ever tell and she knew it now. She had been awaiting it and she felt it, as if it had been, as if she had lived it. Life had been, if only because she had known it could be, and she felt it now as a hymn without sound, deep under the little whole that dripped red drops into the snow, deeper than that from which the red drops came. A moment or an eternity- did it matter? Life, undefeated, existed and could exist. She smiled, her last smile, to so much that had been possible.
She had witnessed the world's most beautiful things, and allowed herself to grow old and unlovely. She had felt the heat of a leviathan's roar, and the warmth within a cat's paw. She had conversed with the wind and had wiped soldier's tears. She had made people see, she'd seen herself in the sea. Butterflies had landed on her wrists, she had planted trees. She had loved, and let love go. So she smiled.
She'd always known he loved her, it had been the one certainty above all others that had never changed, but she had never said the words aloud and she had never meant them quite this way before. She had said it to him, and she hardly knew what she had meant. They were terrifying words, words to encompass a world.
What do you think it would have been like if Valentine had brought you up along with me? Would you have loved me?" Clary was very glad she had put her cup down, because if she hadn't, she would have dropped it. Sebastian was looking at her not with any shyness or the sort of natural awkwardness that might be attendant on such a bizarre question, but as if she were a curious, foreign life-form. "Well," she said. "You're my brother. I would have loved you. I would have...had to.
Even if it meant that she had failed, she was glad. And if what she'd wanted had been impossible from the start, still there was a certain lonely comfort in the fact that she'd known it was impossible and had gone ahead and done it anyway.
At that moment a very good thing was happening to her. Four good things had happened to her, in fact, since she came to Misselthwaite Manor. She had felt as if she had understood a robin and that he had understood her; she had run in the wind until her blood had grown warm; she had been healthily hungry for the first time in her life; and she had found out what it was to be sorry for someone.
Somehow, she had grown into a woman in between the fall of kings and collapse of worlds. Once she had been terrified of change. Then she had been terrified of losing Elend. Now her fears were more nebulous - worries of what would come after she was gone, worries of what would happen to the people of the empire if she failed.
The lonely reality of the truth-that the most important person in your life suddenly ceased to exist. Which on a bad day meant maybe she had never existed at all. And on a good day, there was the other fear. That even if you were a hundred percent sure she had been there, maybe you were the only one who cared or remembered.
The idea of the book ["The Japanese Lover"] came in a conversation that I had with a friend walking in the streets of New York. We were talking about our mothers, and I was telling her how old my mother was, and she was telling me about her mother. Her mother was Jewish, and she said that she was in a retirement home and that she had had a friend for 40 years that was a Japanese gardener. This person had been very important in my friend's upbringing.
Insofar as she recognized at all that she was dreaming, she realized that she must be exploring her subconscious mind. She had heard it said that humans are supposed only to use about a tenth of their brains, and that no one was really clear what the other nine tenths were for, but she had certainly never heard it suggested that they were used for storing penguins.
It exasperated her to think that the dungeon in which she had languished for so many unhappy years had been unlocked all the time, and that the impulses she had so carefully struggled with and stifled for the sake of keeping well with society, were precisely those by which alone she could have come into any sort of sincere human contact.
Occasionally, on screen, Barbara [Stanwyck] had a wary, watchful quality about her that I've noticed in other people who had bad childhoods; they tend to keep an eye on life because they don't think it can be trusted. After her mother was killed by a streetcar, she had been raised in Brooklyn by her sisters, and from things she said, I believe she had been abused as a child. She had lived an entirely different life than mine, that's for sure, which is one reason I found her so fascinating. I think her early life was one reason she had such authenticity as an actress, and as a person.
In this moment she felt that she had been robbed of an enormous number of valuable things, whether material or intangible: things lost or broken by her own fault, things she had forgotten and left in houses when she moved: books borrowed from her and not returned, journeys she had planned and had not made, words she had waited to hear spoken to her and had not heard, and the words she meant to answer with. . . .
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