A Quote by Eva Marie

I think the thing that stands out for me is that in the WWE, we were in a new city every night. — © Eva Marie
I think the thing that stands out for me is that in the WWE, we were in a new city every night.
In a city like New York, especially for young professionals who aren't in a family situation, most people don't cook for themselves. This is the only city I've ever lived in where I eat out every night.
It was Night. In most places, Night is a time for sleep, for calm, and for mystery. But not in New York City, where many things conspired every evening to murder the night.
There's such a freewheeling nature to 'Second City,' and the greatest thing about 'Second City' was having a sophisticated audience night after night who appreciated what it was. They knew it wasn't all going to be great when you improvised, so they were very forgiving that way.
At first we didn't have a lot of access to New York City, but very quickly, I think people recognized if you were on the show that was a good thing. We always saw the show as a love letter to New York City.
Love me or hate me, I hope the WWE Universe can respect that night in and night out, I've given it my all.
If you want to know how important Portland is to me, there's no Saturday night gigs here. They weren't available. So our whole thing coming into Portland, which is going to be different from anybody else, any other city, is every night is Saturday night.
I partied too much. I was still 19, 20 years old. I was coming from a little small city where there's 40,000 people, so being in New Jersey, New York, being with a big All-Star like Stephon Marbury, he's calling me every night to go out with him. I didn't know how to say no.
You perform for a different audience each night. People who don't understand just think that you go out there every night and do the same thing, but you don't - you have to find out who they are and give it to them.
There's a lot of children that go to bed every night hungry in New York City, and it's shameful. That's really disturbing to me.
In New York, unlike Holland, there are newspaper stands on every corner. That was a big headline all over the city.
If hardship brought out the worst in people, the human race wouldn't have survived. Right after 9/11, for instance, the murder rate actually went down in New York City. In World War II during the Blitz, the civilians of London were bombed almost every night for six months, but psychiatric admissions declined.
There are roughly three New Yorks. There is, first, the New York of the man or woman who was born here, who takes the city for granted and accepts its size and its turbulence as natural and inevitable. Second, there is the New York of the commuter — the city that is devoured by locusts each day and spat out each night. Third, there is the New York of the person who was born somewhere else and came to New York in quest of something.
A woman is beautiful when she stands out as an individual—it's a woman who has her own style and the confidence to pull it off. Half the women on the streets in New York City achieve this. I get so inspired every time I'm there.
I love traveling the world, meeting new people, and letting WWE fans know that the champ is out doing his thing and trying to spread the good word of WWE. I love the feeling of being the ambassador for the company.
I think as much as the city is changing us, our experience inside the city also changes. I think, a city like Cairo - and it's interesting because yesterday, a friend of mine told me the same this thing about New York - is a city that you can't control. It's very bold and very aggressive, and it will constantly resist any attempt at control. But even though you can't control it, you can find your path within the city. You can come to a better understanding of your relationship with it.
When I went to WWE, the level of work I put out every night was just balls to the wall.
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