A Quote by Eva Mendes

The one thing I never want to do is act drunk or act high. You don’t do it from a mental kind of place because then you’re just acting. — © Eva Mendes
The one thing I never want to do is act drunk or act high. You don’t do it from a mental kind of place because then you’re just acting.
You know, women are acting the way they want to act now. Years ago they would hide it in the way they dressed, the way they speak, even the way they act in bed. Today, they're doing the same thing, but they're dressing the way they want to be treated and, when you're with them, acting the way they want to act. And you know, honesty is the best policy. I love that.
And that's one thing that helps me is I learn it blandly, vanilla, then I don't try to act it too soon because you start to act it, and you kind of go away from what the next sentence is, what the next paragraph is. So get it down so it kind of can - it's in there so you can then, as I call it, dance on top of it.
If you want a quality, act as if you already have it. If you want to be courageous, act as if you were - and as you act and persevere in acting, so you tend to become.
Never act like you want it, darlin'. Act like you wouldn't own it if they paid you. Tell them it's dirty, broken...a useless thing. Then make an offer.
The thing is when I started doing standup, you had to have a clean act because that's how you got on television. There weren't all these cable shows. Also, I didn't want to have that kind of act in case my family came to see me or my kid one day.
The creative act is also in a small way a suffering act - we start out with our ego, this hope of making this thing whatever it be, but so often it eludes us and it collapses and we kind of regress into this mental suffering, we can't find what we're looking for.
Never do an evil act just because it is trivial; never leave a good act undone just because it's small.
There's a lot of guys in pro wrestling that just kind of have this MMA fantasy, and they never act on it. I'm acting on it. I don't want to be one of those guys who sits there and goes, 'I could have done that or I should have done that.'
People take years learning how to act; it's a skill, not just a job. If I tried it out and thought I'd be OK, then perhaps I'd go for it, but it's not the kind of thing you can get into just because of your looks.
Making dances is an act of progress; it is an act of growth, an act of music, an act of teaching, an act of celebration, an act of joy.
If a critic doesn't think I can act, it's because I'm not acting. That's me - and that's the way I act.
Why does a woman carry a gun? Because, under our system, every citizen has the latitude to act in the absence of police; the latitude to act reasonably, to act immediately, to act in defense of self, to act in defense of another, to act with lethal force, to act with her acquired training and to act not in anger but to respond in purpose. To exercise the protections of that latitude in public policy, public interest and practical safety, all that is demanded of her is that she act reasonably under the circumstances.
I never felt Lee Strasberg could act, and I fail to see how someone who can't act can teach acting.
I enjoy a third act, and I like stories with ending. A lot of my frustration with serialized storytelling is a lot of shows don't have a third act. They have an endless second act, and then they find out it's their last year and often have to hustle to invent a third act, but they were never necessarily organically meaning to begin with.
I think the most interesting question is, why do you act? I act because I have felt in acting some of the most free moments of my life...I think it's also one thing that scares me the most.
If someone has it inside them to commit an act, then that act would be committed anyway. It's very easy for someone to place the blame on something other than the person who committed the act. It's people looking for scapegoats, you know?
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