A Quote by Eva Mendes
I feel I'll take on the responsibility of showing the world a whole different kind of Latin woman.
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I attain a different kind of beauty, achieve a symmetry by means of infinite discords, showing all the traces of the mind's passage through the world, achieve in the end some kind of whole made of shivering fragments.
I don't think it's my responsibility, but I definitely try to create my own projects that are Latin-based with a Latin crew and Latin cast. I try to give all my characters Latin names whenever I can and make sure that they are of Latin heritage. But that does not work with every project.
Sometimes there's a day where I don't feel good being out in the world, and I feel unsafe in the world in general. And an anxiety about just showing up in the world. It's kind of irrational, but people do say things to me out in the street about how I'm dressed.
I really feel a sense of responsibility first as a creation of a force that I call God, that's bigger than myself. And because I'm black, I feel the responsibility to that. I feel the responsibility to my womanness. But more importantly, I feel a responsibility to my humanness.
I like showing different types of comedy - showing that I could tell a story, or showing that I could do a one-liner, showing I could do stuff about music - so just trying to be versatile and talking about different topics.
I did whole Latin albums and it was like Beatlemania for me in the Latin world, the screaming girls, not being able to leave the hotel, at the airport met by screaming fans. That was something!
In my opinion, the most important thing as a woman leader-and I learned this early through a whole bunch of great women who were in my life (and men, I have to say)-is that if you have a position of leadership and power and you don't use it in a different way, then you're wasting it. So when people used to say to me when I was the first woman president of PBS, "Well, you know, does that mean that as a woman you're going to be a different kind of president?" And I would say, "Well, I hope so!"
I don't think it's a bad thing to play a character that's not necessarily a super-woman. Even if the character is a little bit stereotypical, as long as the whole story is good and positive, or makes some sort of important statement, I think it's okay. But, on the whole, you can't just do that, especially as a black woman. It's more of a responsibility. You've gotta let the world see black women being successful, strong, smart, with power and who are self-possessed.
The funny thing is I'm not even Latin. I was constantly getting Latin roles, and I was like, I even was nominated for an award, and I was like, 'Let them know at the NAACP, the first white woman. Let them know I'm totally grateful, but I'm not Latin. I can't do that. I play Latin.'
I'm involved in everything from a nutraceutical company to a pharmaceutical company to a medical device company. My whole world revolves around health, and I feel it's my responsibility, in a way, and I say it this way, and I don't take this lightly.
I feel the responsibility of the novelist is to create a very complex world populated by very complex individuals and to deepen that as much as possible. I don't think the responsibility of the reporter or journalist is fundamentally different.
Livin' la Vida Loca' is not Latin music. It does not represent Latin music what Jennifer Lopez put out. It's not Latin music. What Enrique Iglesias, it's not Latin music, no? It's Latin artists. There's a Latin artist doing it you could say.
I grew up having two different perspectives - one in English, one in Spanish. Two different cultures, very different - but I think that, to me, it's one. I'm just as American as I feel Latin.
I think you have a social responsibility as the villain, which is pretty different from the hero's responsibility. If you have any kind of a social or political conscience at all, the first thing you want to do is make malevolence recognizable to people, almost as a kind of teaching aid.
Manhattan, though, was an entirely different ballgame in a whole different kind of world, with a man who was brilliant and at the same time terribly charismatic.
The kind of sleep that I had during my own film [Certified Copy] screening in Cannes is different. It's not because of the specificity of the film. It was because of my relationship as an author to this film. Usually when I take my films to festivals, I feel incredibly anxious about them. I wonder how it will be received, how the audience will react. I feel deeply responsible for them. Whereas this time, I didn't have that responsibility on my shoulders.
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