A Quote by Eva Moskowitz

It is very challenging to have a kind of data-driven, performance-oriented culture and to do progressive pedagogy. These things don't naturally, or easily, go together.
I'm practical, very data-driven, and process-oriented. If I look at a radar and see a giant green blob coming toward me, I'm thinking it's probably going to snow.
I'm practical, very data-driven and process-oriented. I'm very objective and analytical about everything. Ninety-five percent of situations on the wall are not that dangerous. Most people look at the climb and think, 'that's crazy.' But when you know the intricacies of your gear, the belay situation and the forces involved, it's pretty safe.
Business schools do most things very well. They are just not comprehensive and what they miss are things like culture and creativity and a certain kind of pattern recognition that comes easily to people trained in the liberal arts.
I think that good things will happen in the Middle East, in Israel, and to American progressive Jewry only if we work together to save a progressive Israel that progressive Americans can have affinity with again.
The difficulty of carrying on a leisure-oriented tradition of culture in a work-oriented society is enough in itself to keep the present crisis in our culture unresolved.
I think I'm a story-based artiste. So I would opt for the performance-oriented role. I usually go by intuition while choosing a script. Also, I do not analyse my performance, nor do I bother about how my film has been performing at the box office. I personally love challenges and am game for taking up things which I haven't attempted before.
Anybody can put things together that belong together. to put things together that don't go together, and make it work, that takes genius like Mozart's. Yet he is presented in the play Amadeus as a kind of silly boy whom the gods loved.
There's a lot of hip-hop that's oriented toward a progressive view of America because it's oriented toward a civil rights progress and a critique of the power structure.
As a mode of public pedagogy, a state of permanent war needs willing subjects to abide by its values, ideology, and narratives of fear and violence. Such legitimation is largely provided through a market-driven culture addicted to the production of consumerism, militarism and organized violence, largely circulated through various registers of popular culture that extend from high fashion and Hollywood movies to the creation of violent video games and music concerts sponsored by the Pentagon.
Data is the kind of ubiquitous resource that we can shape to provide new innovations and new insights, and it's all around us, and it can be mined very easily.
You're less apprehensive when you know what to expect. Also, the first flight is very important in this performance-driven culture I work in; it establishes your reputation. If you don't do well, it's probably your last flight.
I am a data hound and so I usually end up working on whatever things I can find good data on. The rise of Internet commerce completely altered the amount of information you could gather on company behavior so I naturally drifted toward it.
As our society tips toward one based on data, our collective decisions around how that data can be used will determine what kind of a culture we live in.
Whistling together. Some kind of performance. I mean, not just a conversation, but a performance.
I play the leading lady in Arjun Rampal's latest production, 'Daddy'. It's a very bold, performance-oriented role, and the team had originally cast someone else. However, when Arjun saw my performance in 'Kaaka Muttai,' he roped me in.
Any time scientists disagree, it's because we have insufficient data. Then we can agree on what kind of data to get; we get the data; and the data solves the problem. Either I'm right, or you're right, or we're both wrong. And we move on. That kind of conflict resolution does not exist in politics or religion.
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