A Quote by Eva Rubinstein

What is a photograph? For me, a fragment of quick-silver, a lucid dream, a scribbled note from the subconscious to be deciphered, perhaps, over years. It is a monologue trying to become a conversation, an offering, an alibi, a salute.
Sometimes the fragment of a conversation, the color of the sky, the image in a dream, has everything to do with where the song begins.
A word is a thought, of course. But any image, including a photograph, may become an instrument of sufficiently lucid cogitation.
Perhaps the first photograph ever taken, Niépce's view of the rooftops over Saint-Loup-de-Varennes, was a truly pure photograph. The second one he took, he was already comparing nature to the first photograph he had taken.
I absolutely love writing about the things that scare me, the things that keep me up at night. I don't quite know why. Perhaps because so many things do scare me, and this is my subconscious way of trying to exercise some control over things that go bump in the night!
You can only photograph a fragment of the here and now. The photograph presents the world as object; language, the world as idea.
Conversation succeeds conversation, Until there's nothing left to talk about Except truth, the perennial monologue, And no talker to dispute it but itself.
I happen to disagree with the well-entrenched theory that the art of conversation is merely the art of being a good listener. Such advice invites people to be cynical with one another and full of fake; when a conversation becomes a monologue, poked along with tiny cattle-prod questions, it isn't a conversation any more.
Perhaps, over the years, I have become less immature and more professional.
I've learned that I get blocked when my subconscious mind is telling me that I've taken the work in a wrong direction, and that once I start listening to what my subconscious is trying to tell me, I can work out the problem and get moving again.
Photography seems to fix, but this is an illusion created by our short lives. A photograph is merely a note held for 200 years.
We've got a bunch of guys who have been travelling around the world for over 10 years, scratching and clawing, fighting, just trying to live their dream, just trying to prove people wrong, just trying to show that we belong, and that's kind of the essence of NXT.
Photographers usually want to photograph facts and things. But I'm interested in the nature of the thing itself. A photograph of someone sleeping tells me nothing about their dream state; a photograph of a corpse tells me nothing about the nature of death. My work is about my life as an event, and I find myself to be very temporal, transient.
Danny Williams broke my dream. Iron Mike, for me, was the dream. For many years, I would see Tyson and say, 'Mike, I want to fight you.' He was on his way back, and we were making conversation about a fight between me and him. So I was very surprised and disappointed when he lost.
A photograph never grows old. You and I change, people change all through the months and years but a photograph always remains the same. How nice to look at a photograph of mother or father taken many years ago. You see them as you remember them. But as people live on, they change completely. That is why I think a photograph can be kind.
There is no doubt in my mind that as central banks begin to abandon the dollar, there will be an enormous amount of monetary demand for silver and the silver ratio will plummet. If you look at all of the monetary crises over the last 100 years, any time that there has been even a whiff of a collapse of the dollar, the silver ratio has soared.
Theater is perhaps one of the few places left where we are in a dialogue right now. Everything has become so partisan, and the rhetoric has become so heated, that conversation is almost impossible.
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